Produktbild: Epic Performances from the Middle Ages Into the Twenty-First Century

Epic Performances from the Middle Ages Into the Twenty-First Century

195,99 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

25.12.2018

Abbildungen

40 black-and-white illustrations

Herausgeber

Fiona Macintosh + weitere

Verlag

Oxford Academic

Seitenzahl

666

Maße (L/B/H)

23,6/16,5/4,6 cm

Gewicht

1154 g

Sprache

Englisch

ISBN

978-0-19-880421-5

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

25.12.2018

Abbildungen

40 black-and-white illustrations

Herausgeber

Verlag

Oxford Academic

Seitenzahl

666

Maße (L/B/H)

23,6/16,5/4,6 cm

Gewicht

1154 g

Sprache

Englisch

ISBN

978-0-19-880421-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Epic Performances from the Middle Ages Into the Twenty-First Century
    • Frontmatter

    • List of Illustrations

    • List of Contributors

    • Note on Nomenclature, Spelling, and Texts

    • I. DEFINING TERMS

    • 1: Fiona Macintosh: 'Epic' Performances: From Brecht to Homer and Back

    • 2: Barbara Graziosi: Performing Epic and Reading Homer: An Aristotelean Perspective

    • 3: Colin Burrow: Shakespeare and Epic

    • 4: Tim Supple: Theatre on an Epic Scale

    • II. CROSSING GENRES

    • 5: Tanya Pollard: Encountering Homer through Greek Plays in Sixteenth-Century Europe

    • 6: David Wiles: Epic Acting in Shakespeare's Hamlet

    • 7: Marchella Ward: 'I am that same wall; the truth is so': Performing a Tale from Ovid

    • 8: Wes Williams: Monsters and the Question of Inheritance in Early Modern French Theatre

    • 9: Pantelis Michelakis: The Future of Epic in Cinema: Tropes of Reproduction in Ridley Scott's Prometheus

    • 10: Georgina Paul: From Epic to Lyric: Alice Oswald's and Barbara Köhler's Refigurings of Homeric Epic

    • 11: Arabella Stanger: Choreographing Epic: The Ocean as Epic 'Timespace' in Homer, Joyce, and Cunningham

    • 12: Marie-Louise Crawley: Epic Bodies: Filtering the Past and Embodying the Present A Performer's Perspective

    • III. FORMAL REFRACTIONS

    • 13: Margaret Kean: A Harmless Distemper: Accessing the Classical Underworld in Heywood's The Silver Age

    • 14: Tom Sapsford: Epic Poetry into Contemporary Choreography: Two Twenty-First Century Dance Adaptations of the Odyssey

    • 15: Robin Kirkpatrick: Voicing Virgil: Dante Performs the Latin Epic

    • 16: Graeme Bird: Homer as Improviser?

    • 17: Henry Power: 'Now hear this': Text and Performance in Christopher Logue's War Music (1959-2011)

    • 18: Stephe Harrop: Unfixing Epic: Homeric Orality and Contemporary Performance

    • 19: Emily Greenwood: Multimodal Twenty-First Century Bards: From Live Performance to Audiobook in the Homeric Adaptations of Simon Armitage and Alice Oswald

    • 20: Emily Pillinger: Homer 'viewed from the corridor': Epic Refracted in Michael Tippett's King Priam

    • IV. EMPIRE AND POLITICS

    • 21: Tatiana Faia: Institutional Receptions: Camões, Saramago, and the Contemporary Politics of The Lusíads on Stage

    • 22: Tiphaine Karsenti: Achilles in French Tragedy (1563-1680)

    • 23: Imogen Choi: The Spectacle of Conquest: Epic Conflicts on the Seventeenth-Century Spanish Stage

    • 24: Frederick Naerebout: Epic on Stage in the Dutch Republic

    • 25: Deana Rankin: 'Marpesia cautes': Voicing Amazons, England and Ireland, 1640

    • 26: Stephen Harrison: After the Aeneid: Ascanius in Eighteenth-Century Opera

    • 27: Patrice Rankine: Epic Performance through Invencão de Orfeu and An Iliad: Two Instantiations of Epic as Embodiment in the Americas

    • 28: Justine McConnell: Performing Walcott, Performing Homer: Omeros on Stage and Screen

    • V. HIGH AND LOW

    • 29: Claire Kenward: 'Of arms and the man': Thersites in Early Modern English Drama

    • 30: Edith Hall: Classical Epic and the London Fairs, 1697-1734

    • 31: Henry Stead: Classical Epic in Early Musical Theatre: The Case of Kane O'Hara's Midas

    • 32: Fiona Macintosh: Epic Transposed: The Real and the Hyper-Real during the Revolutionary Period in France

    • 33: Cécile Dudouyt: Sacrilegious Translation: The Epic Flop of François Ponsard's Ulysse (1852)

    • 34: Laura Monrós-Gaspar: Epic Cassandras in Performance, 1795-1868

    • 35: Margaret Reynolds: 'Of the rage, sing Goddess': Epic Opera

    • 36: Rachel Bryant Davies: Fish, Firemen, and Prize Fighters: The Transformation of the Iliad and Aeneid on the London Burlesque Stage

    • Epilogue. Voices, Bodies, Silences, and Media: Heightened Receptivity in Epic in Performance

    • Endmatter

    • Bibliography

    • Index