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Contemporary Latin American Cinema Resisting Neoliberalism?

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

06.08.2018

Abbildungen

XIX, 278 p. 8 illus., 7 illus. in color.

Herausgeber

Claudia Sandberg + weitere

Verlag

Springer

Seitenzahl

278

Maße (L/B/H)

21,6/15,3/2,1 cm

Gewicht

503 g

Auflage

1st ed. 2018

Sprache

Englisch

ISBN

978-3-319-77009-3

Beschreibung

Portrait


Claudia Sandberg
is a filmmaker and Senior Research and Teaching Fellow at the University of Melbourne, Australia. Her research is concerned with relations between European and Latin American cinemas. Sandberg co-directed
Peliculas Escondidas
(2016), a documentary about Chilean émigré artists in East Germany, and is co-editor of
The German Cinema Book 2
(2018).


Carolina Rocha
is Professor of Spanish at Southern Illinois University Edwardsville, USA. She specializes in contemporary Latin American cinema. She is author of
Argentine Cinema and National Identity (1966-1976)
(2017) and
Masculinities in Contemporary Argentine Popular Cinema
(2012), and editor of
Modern Argentine Masculinities
(2013) and several other volumes about Latin American film.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

06.08.2018

Abbildungen

XIX, 278 p. 8 illus., 7 illus. in color.

Herausgeber

Verlag

Springer

Seitenzahl

278

Maße (L/B/H)

21,6/15,3/2,1 cm

Gewicht

503 g

Auflage

1st ed. 2018

Sprache

Englisch

ISBN

978-3-319-77009-3

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: Contemporary Latin American Cinema
  • Produktbild: Contemporary Latin American Cinema

  • 1. Contemporary Latin American Cinema and Resistance to Neoliberalism: Mapping the Field (Claudia Sandberg).- 2. Southern Hegemonies and Metaphors of the Global South in 
    También la Lluvia
     (Alfredo Martínez-Expósito).- 3. Neoliberal Masculinities in Contemporary Peruvian Cinema: 
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     and 
    El limpiador
     (Rosana Díaz-Zambrana).- 4. New Geographies of Class in Mexican and Brazilian Cinemas: 
    Post Tenebras Lux
     and 
    Que horas ela volta?
     (María Mercedes Vázquez Vázquez).- 5. 
    Paraíso ¿Cuánto pesa el amor?
    : Challenging the Neoliberal in Mexican Cinema (Niamh Thornton).- 6. 
    Güeros
    : Social Fragmentation, Political Agency, and the Mexican Film Industry under Neoliberalism (Jacobo Asse Dayán).- 7. Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Committed Film Producer in Peru (Sarah Barrow).- 8. Larraín’s 
    No
    : A Tale of Neoliberalism (María Paz Peirano).- 9. Crowdfunding Images of Colombia and Ecuador: International Collaborations and Transnational Circulation in a Neoliberal Context (Carolina Rocha).- 10. Argentine Cinema in the Age of Digitization: Between Foreign Dominance and Discussion of Benefits (Andrea Morán and Miguel Fernández Labayen).- 11. Social Cinema in Neoliberal Times: The Macabre Baroque in the Films of Pablo Larraín (Walescka Pino-Ojeda).- 12. Between Armed Conflict, Social Awareness, and the Neoliberal Market: The Case of 
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