Band 36
The Long End of the First World War Ruptures, Continuities and Memories
Aus der Reihe
Eigene und fremde Welten
38,99 €
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
Kopierschutz
Nein
Family Sharing
Ja
Text-to-Speech
Nein
Erscheinungsdatum
04.10.2018
Herausgeber
Katrin Bromber + weitereVerlag
Campus eBooksSeitenzahl
296 (Printausgabe)
Dateigröße
10409 KB
Auflage
1. Auflage
Sprache
Englisch
EAN
9783593438771
2014 was marked by extensive commemoration activities in many parts of the world to the First World War. This book focuses on the relation between global history and social history, highlighting actors and regions, and it systematically engages with the issue of diverse periodizations. In discussing linkages between experience, historiography, and commemoration, the contributions in this volume aim at unsettling the notion of a static and clearly defined 'end' of the Great War, a construct mainly based on European developments.
How did the developments which marked the end of the War differ regionally, and how did prisoners of war, demobilized soldiers, women, or children from and in Asia, Africa, and the Middle East perceive and experience the 'end'? How did this 'end' influence new networks, social movements, society, economic processes, or ecological developments? And how were these questions discussed by contemporaries? Can the loss of 'Zeitzeugen' be compensated by the use of electronic and other media? And does this make transnational commemoration easier (or more difficult)? What is written out of historical narratives and what is being (re)discovered?
How did the developments which marked the end of the War differ regionally, and how did prisoners of war, demobilized soldiers, women, or children from and in Asia, Africa, and the Middle East perceive and experience the 'end'? How did this 'end' influence new networks, social movements, society, economic processes, or ecological developments? And how were these questions discussed by contemporaries? Can the loss of 'Zeitzeugen' be compensated by the use of electronic and other media? And does this make transnational commemoration easier (or more difficult)? What is written out of historical narratives and what is being (re)discovered?
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