Marxism and the History of Art From William Morris to the New Left
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Form:Einzelkauf Download
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Sprache:Englisch
38,10 €
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB
Kopierschutz
Ja
Family Sharing
Nein
Text-to-Speech
Ja
Erscheinungsdatum
20.07.2006
Herausgeber
Andrew HemingwayVerlag
Pluto PressSeitenzahl
288 (Printausgabe)
Dateigröße
1757 KB
Auflage
1. Auflage
Sprache
Englisch
EAN
9781783716166
'No other book has ever attempted this ambitious project with such care and intelligence. ... Important, timely, and provocative.'
Professor Barbara McCloskey, University of Pittsburgh
'[This] could be a defining text.' Professor Paul Jaskot, De Paul University Chicago
This unique book is the first comprehensive introduction to Marxist approaches to art history. Although the aesthetic was a crucial part of Marx and Engels's thought, they left no full statement on the arts. Although there is an abundant scholarship on Marxist approaches to literature, the historiography of the visual arts has been largely neglected. This book encompasses a range of influential thinkers and historians including William Morris, Mikhail Lifshits, Frederick Antal, Francis Klingender, Max Raphael, Meyer Schapiro, Walter Benjamin, Henri Lefebvre and Arnold Hauser. It also addresses the heritage of the New Left. In the spirit of Marxism, the authors interpret the achievements and limitations of Marxist art history in relation to the historical and political circumstances of its production, providing an indispensable introduction to contemporary radical practices in the field.
Professor Barbara McCloskey, University of Pittsburgh
'[This] could be a defining text.' Professor Paul Jaskot, De Paul University Chicago
This unique book is the first comprehensive introduction to Marxist approaches to art history. Although the aesthetic was a crucial part of Marx and Engels's thought, they left no full statement on the arts. Although there is an abundant scholarship on Marxist approaches to literature, the historiography of the visual arts has been largely neglected. This book encompasses a range of influential thinkers and historians including William Morris, Mikhail Lifshits, Frederick Antal, Francis Klingender, Max Raphael, Meyer Schapiro, Walter Benjamin, Henri Lefebvre and Arnold Hauser. It also addresses the heritage of the New Left. In the spirit of Marxism, the authors interpret the achievements and limitations of Marxist art history in relation to the historical and political circumstances of its production, providing an indispensable introduction to contemporary radical practices in the field.
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