Produktbild: Contemporary British Ceramics and the Influence of Sculpture

Contemporary British Ceramics and the Influence of Sculpture Monuments, Multiples, Destruction and Display

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

13.12.2017

Verlag

Taylor & Francis

Seitenzahl

146

Maße (L/B/H)

17,9/25,2/1,5 cm

Gewicht

484 g

Sprache

Englisch

ISBN

978-1-138-05429-5

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

13.12.2017

Verlag

Taylor & Francis

Seitenzahl

146

Maße (L/B/H)

17,9/25,2/1,5 cm

Gewicht

484 g

Sprache

Englisch

ISBN

978-1-138-05429-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Contemporary British Ceramics and the Influence of Sculpture
  • Table of Contents

    Introduction

    Chapter One

    Becoming Partners?

    Creative Tension: Defining ceramics

    Sculpture: A category in danger of collapse

    The Art and Craft Divide

    An Overview of the Book

    Chapter Two

    Monumental Matters

    Monuments and the Collective Memory

    Two Approaches: The logical and the abstracted monument

    Ceramics in Civic Space

    Wheel of Fortune: Monumentalizing Stoke-on-Trent

    Making it Big: The monumental style

    Chapter Three

    The Numbers Game: Multi-part compositions

    Do Numbers Matter?

    Plane Thinking: Horizonal groups

    High Rise: Stack, build, repeat

    The Expressive Possibility of Repetition

    Clare Twomey: Master assembler

    Chapter Four

    The Art of Destruction: Ceramics, Sculpture and Iconoclasm

    What is Iconoclasm?

    Iconoclasm and Art

    Vases and Vandalism

    Out of the Ordinary: Destroying domestic ware

    Clay in Common

    Past Imperfect: The art of transformative repair

    Destruction as Cultural Critique

    Please Do Not Touch: Destruction in the vitrine

    Biting the hand that feeds? Iconoclasm as institutional critique

    Chapter Five

    Encounters: Ceramics on Show

    Thinking About Exhibitions

    Clay as an Authentic Material for Sculpture: The Raw and the Cooked

    Ceramics and Minimalism: The New White

    Ceramics Under Threat: A Secret History of Clay

    Post-Studio Practice: Possibilities and Losses

    Ceramics for the Home

    The Separation of Art and the Home

    Home Coming: Contemporary ceramics in domestic space

    Domesticating the White Cube

    Conclusion

    Radical Plasticity

    A Single Material

    Workmanship

    The Vessel

    The Current of Influence

    The Future