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Produktbild: Madness in Black Women’s Diasporic Fictions

Madness in Black Women’s Diasporic Fictions Aesthetics of Resistance

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

16.11.2017

Abbildungen

XI, 326 p.

Herausgeber

Caroline A. Brown + weitere

Verlag

Springer

Seitenzahl

326

Maße (L/B/H)

21,6/15,3/2,3 cm

Gewicht

514 g

Auflage

1st ed. 2017

Sprache

Englisch

ISBN

978-3-319-58126-2

Beschreibung

Portrait


Caroline A. Brown
is Associate Professor of English Literature at the University of Montreal, Canada. She is author of
The Black Female Body in American Literature and Art: Performing Identity
(2012). Her articles have appeared in
African American Review
,
Comparative Studies of South Asia, Africa, and the Middle East
,
National Women’s Studies Association Journal
, and several other journals and edited collections.


Johanna X. K. Garvey
is Associate Professor of English at Fairfield University, USA, where she was founding Co-Director of the Women’s Studies Program and the Program in Black Studies: Africa and the Diaspora. She has published on Ann Petry, Michelle Cliff, Merle Collins, Paule Marshall, Dionne Brand, Shani Mootoo, Patricia Powell, Maryse Condé, and others, in
Callaloo
,
The Journal of Commonwealth and Postcolonial Literature
,
Textual Practice
,
Anthurium,
and elsewhere. She is completing a book manuscript on Caribbean women writing diaspora.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

16.11.2017

Abbildungen

XI, 326 p.

Herausgeber

Verlag

Springer

Seitenzahl

326

Maße (L/B/H)

21,6/15,3/2,3 cm

Gewicht

514 g

Auflage

1st ed. 2017

Sprache

Englisch

ISBN

978-3-319-58126-2

Herstelleradresse

Springer-Verlag GmbH
Europaplatz 3
69115 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: Madness in Black Women’s Diasporic Fictions

  • Chapter 1. Introduction: Women, Writing, Madness: Reframing Diaspora Aesthetics – Caroline A. Brown.- Chapter 2. Resisting Displacement in Bernardine Evaristo’s 
    The Emperor’s Babe 
    – Nancy Caronia.- Chapter 3. Madness and Translation of the Bones-as-text in Marlene NourbeSe Philip’s Experimental 
    Zong!
     – Richard Douglass-Chin.- Chapter 4. Embodied Haunting: Aesthetics and the Archive in Toni Morrison's 
    Beloved 
    – Victoria Papa.- Chapter 5. Fissured Memory and Mad Tongues:  The Aesthetics of 
    Marronnage
     in Haitian Women’s Fiction – Johanna X. K. Garvey.- Chapter 6.
     
    Dark Swoops: Trauma and Madness in 
    Half of a Yellow Sun
     – Seretha D. Williams.- Chapter 7. “We Know People By Their Stories”: Madness, Babies, and Dolls in Edwidge Danticat’s 
    Krik? Krak! 
    – Raquel D. Kennon.- Chapter 8. Sharazade’s Sisters and the Harem: Reclaiming the Forbidden as a Site of Resistance in Toni Morrison’s 
    Paradise 
    – Majda R. Atieh.- Chapter 9. Magic, Madness and the Ruses of the Trickster: Healing Rituals and Alternative Spiritualities in Gloria Naylor’s 
    Mama Day
    , Erna Brodber’s 
    Jane and Louisa Will Soon Come Home
    , and Nalo Hopkinson’s 
    Brown Girl in the Ring 
    – Caroline A. Brown.- Chapter 10. “Recordless Company”: Precarious Postmemory in Helen Oyeyemi’s 
    The Icarus Girl 
    – E. Kim Stone.- Chapter 11: Conclusion: Moving Beyond Psychic Ruptures – Johanna X. K. Garvey.