Gutscheinbedingungen

**Gültig bis 06.07.2026 auf fremdsprachige Bücher online auf thalia.at, in der Thalia App ab einem Mindestbestellwert von 30€ und in allen Thalia Buchhandlungen in Österreich. In den Buchhandlungen nur gültig auf lagernde Ware. Einzelne Artikel können ausgeschlossen sein. Ausgenommen sind preisgebundene Artikel & eBooks. Pro Einkauf einmal einlösbar. Nur gültig gegen Vorlage oder im Onlineshop hinterlegter Bonuscard. Infos zur Einlösung in der Buchhandlung sind auf der Bonuscard-Vorteilspreisseite zu finden. Click & Collect nur bei Onlinevorabzahlung möglich. Keine Einlösung bei Scan & Go-Bezahlung. Keine Barauszahlung. Nicht kombinierbar mit anderen Aktionen und Gutscheinen. Gutschein wird auf max. 500€ Bestellwert angerechnet. Nicht gültig für Versandkosten und Services.

Produktbild: Digital Costume Design and Collaboration

Digital Costume Design and Collaboration Applications in Academia, Theatre, and Film

47,99 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.10.2017

Verlag

Taylor & Francis

Seitenzahl

224

Maße (L/B/H)

22,9/22,9/1,5 cm

Gewicht

726 g

Sprache

Englisch

ISBN

978-1-138-93572-3

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.10.2017

Verlag

Taylor & Francis

Seitenzahl

224

Maße (L/B/H)

22,9/22,9/1,5 cm

Gewicht

726 g

Sprache

Englisch

ISBN

978-1-138-93572-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)

Die Leseprobe wird geladen.
  • Produktbild: Digital Costume Design and Collaboration
  • TABLE OF CONTENTS

    ACKNOWLEDGEMENTS

    PREFACE

    INTRODUCTION

    PART I: FOUNDATIONS

    • CHAPTER 1
      • The Design Process, A Digital Approach
        • First Reactions
        • Compiling Information Digitally To Create Web Based Shared Archives
        • A New Look: Updating Research Methods
        • Talking To The Director
          • The Aristotelian Model
          • Historical Context: Using Human Geography as a Framework
          • The "W" Questions or the "Nuts and Bolts"
          • Stage Directions: The Spoken Word And The Playwright's Notes
          • The Importance Of A Good Dramaturge

        • Talking With The Actors
          • Obtaining Basic Information
          • Establishing The Character's "Spine": Underlying Motivations, Back-Story, Secrets, etc.
          • Establishing Digital Collaboration With The Actors Prior to Fittings

        • Testimonial
          • Interview: Shawn LaCount, Artistic Director and Director
          • Design Gallery: Edith Can Shoot Things And Hit Them, Company One Theatre, 2015

        • Sources and Citations
        • CHAPTER 2
          • Preparing Your Digital Costume Bible And Design Studio
            • Digital Costume Bible
              • The Digital Costume Plot
              • The Digital Costume Piece List
              • The Budget Specs: Including Builds, Bought and Pulled Items
              • Sharing Files With Wardrobe Department: Google Docs, Dropbox, Etc.

            • Digital Costume Design Studio
              • Digital Studio Basics
              • File Sharing Options
              • Drawing Tablets And Digital Rendering Software
                • Wacom Tablets
                • Photoshop

              • Basics Digital Rendering Tools
                • Layers
                • Levels And Curves
                • Flatting
                • Burn And Dodging
                • Dissolve
                • Brushes
                • Patterns
                • Fonts
                • Special Effects: Bevel, Emboss, Inner And Outer Shadows

              • Other Resources: Free Croquis
              • Testimonial
                • Interview: Spiro Veloudos, Artistic Director and Director
                • Design Gallery: Sweeney Todd, Lyric Stage Company of Boston, 2014

              • Sources and Citations
              • PART II: APPLICATIONS

                • CHAPTER 3
                  • Drawing The Character's Spine; Black And White Drawing Basics
                    • Scanning And/Or Copying Black & White Files
                      • Scanning Steps and Tips

                    • Tracing With The Wacom Tablet
                    • Tracing Over Existing Images: A Sample Process
                      • Using Fashion Croquis
                      • Using A Pre-Existing Image
                      • Creating A "Croquis Banks"

                    • Preparing and Saving Black and White Images for Painting With Photoshop
                      • Preparing Black and White Drawings
                      • Prepping B & W Sketches on Templates
                      • Fixing Line "Leakages"

                    • How To Make A 300 To 600 Dpi File?
                    • Testimonial:
                      • Interview: Carrie Ann Quinn, Actor and Director
                      • Design Gallery: Polaroid Stories, UMass Boston, 2016

                    • Sources and Citations
                    • CHAPTER 4
                      • Contextualizing The Character
                      • Photoshop Painting Basics Part 1
                        • Photoshop Color Palettes: The Color Picker
                        • Creating A Basic Sketch Template For A Specific Show
                        • Choosing Specific Photoshop Color Swatches For Costume Rendering
                        • Creating Fabric Yardage and Adding Prints

                      • Testimonial
                        • Interview: Davis Robinson, Producer, Actor, Director, and Author
                        • Design Gallery: The Remarkable Rooming House of Madame LeMonde, Beau Jest Moving Theatre/ Provincetown Tennessee Williams Theatre Festival, 2009

                      • Sources and Citations
                      • CHAPTER 5
                        • Costuming The Character: The Preliminary Sketches
                        • Creating Multi-Layered Costume Renderings in Photoshop
                          • Inserting And Manipulating Costume Pieces Or Elements
                          • Inserting A Pre-Existing Or A Previously Saved Pattern
                          • Resizing Patterns In Photoshop
                          • Adding Layers Such As Facial Details, Skin Tones, And Accesories

                        • Painting Assembly Line Sketches
                        • Testimonial 1
                          • Interview: Ilyse Robbins, Actor, Choreographer, and Director
                          • Design Gallery: Marry Me A Little, New Repertory Theatre, 2013

                        • Testimonial 2
                          • Interview 2: Danny Gidron, Director
                          • Design Gallery: Twelfth Night, UMass Boston, 2014

                        • Sources and Citations
                          • CHAPTER 6
                            • Costuming The Character: The Finished Sketch
                            • More Photoshop Painting Techniques
                              • Burn and Dodge Modalities in Photoshop Costume Renderings
                              • Painting Eyes
                              • Touch Up Work
                              • Painting Hair And Adding Real Hair Images
                              • Creating a Realistic Hair Layer
                              • Adding Patterns With Movement
                              • Adding Floor Shadows
                              • Using Bevel and Emboss To Add Dimension To The Character's Silhouette

                            • Testimonial 1
                              • Interview: Bridget Kathleen O'Leary, Artistic Director and Director
                              • Design Gallery: Doll's House, New Repertory Theatre, 2011.

                            • Testimonial 2
                              • Interview: Carmel O'Reilly, Artistic Director, Director, and Actor
                              • Design Gallery: The Seafarer, SpeakEasy Theatre Company, 2008.

                            • CHAPTER 7
                              • Archiving the Project As A Digital Portfolio
                                • Costume Design And Manufacturing for PBS/WGBH

                              • Testimonial 1
                                • Interview: Cathleen O'Connell, Film Producer
                                • Design Gallery: God In America, PBS 2010

                              • Testimonial 2
                                • Interview: Michael Fennimore, Film and Theatre Actor, and Theatre Director
                                • Design Gallery: You Can't Take It With You, UMass Boston 2014

                              • Sources and Citations
                              • PART III: DIGITAL DESIGN PRACTICE

                                • CHAPTER 8
                                  • An Unforgettable Affair With Photoshop
                                  • About Digital Design in Collaboration
                                    • Testimonials: Designer Interviews and Design Galleries

                                  • Final Words
                                  • Sources and Citations
                                  • INDEX