Venice Noir
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- Taschenbuch
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Form:Einzelkauf Download
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Sprache:Englisch
12,09 €
16,00 €
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Beschreibung
Produktdetails
Format
ePUB
Kopierschutz
Nein
Family Sharing
Nein
Text-to-Speech
Ja
Erscheinungsdatum
29.05.2012
Herausgeber
Maxim JakubowskiVerlag
Akashic BooksSeitenzahl
290 (Printausgabe)
Dateigröße
994 KB
Sprache
Englisch
EAN
9781617751189
Venice, Italy, behind the tourist veil is revealed and dissected.
"Drifter" by Emily Mandel was selected for inclusion in The Best American Mystery Stories 2013, edited by Otto Penzler and Lisa Scottoline"Forget the magnificence of Venice's art, architecture, and music, and delve into this tour of the City of Water's murky depths . . . visions of a Venice not seen in tourist brochures." - Publishers Weekly
Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.
Brand-new stories by: Peter James, Emily St. John Mandel, Barbara Baraldi, Mike Hodges, Mary Hoffman, Maria Tronca, Matteo Righetto, Tony Cartano, Francesco Ferracin, Isabella Santacroce, Michelle Lovric, Francesca Mazzucato,Maxim Jakubowski, and Michael Gregorio.
From the introduction byMaxim Jakubowski:
"It's one of the most famous cities in the world. Immortalized by writers throughout the years, frozen in amber by film and photography, the picturesque survivor of a wild history whose centuries encompass splendor, decay, pestilence, beauty, and never-ending wonders. A city built on water, whose geographical position once saw it rule the world and form a vital crossing point between West and East. A city of marchants, artists, glamour, abject poverty, philosophers, corrupt nobles, refugees, courtesans, and unforgettable lovers, buffeted by the tides of wars, a unique place whose architecture is a subtle palette reflecting the successive waves of settlers, invaders, religions, and short-term rulers . . .
Change in this most curious of cities is something almost imperceptible and invisible to the naked eye. Walking just a few minutes away from the Rialto Bridge, for instance, and losing yourself in backstreets, where the canals and small connecting bridges leave just enough space to pass along the buildings without falling into the water, it's as if you are stepping into a past century altogether, with no indication whatsoever of modernity. You wade through a labyrinth of stone, water, and wrought-iron bridges, and after dark feel part of another world where electricity isn't yet invented, a most unsettle feeling nothing can prepare you for . . ."
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