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  • Produktbild: Young Audiences, Theatre and the Cultural Conversation
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Young Audiences, Theatre and the Cultural Conversation

Aus der Reihe Landscapes: the Arts, Aesthetics, and Education
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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

17.09.2016

Abbildungen

XVII, 48 illus., schwarz-weiss Illustrationen

Herausgeber

John O'Toole + weitere

Verlag

Springer Netherland

Seitenzahl

201

Maße (L/B/H)

23,5/15,5/1,3 cm

Gewicht

342 g

Auflage

Softcover reprint of the original 1st ed. 2014

Sprache

Englisch

ISBN

978-94-017-7943-2

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

17.09.2016

Abbildungen

XVII, 48 illus., schwarz-weiss Illustrationen

Herausgeber

Verlag

Springer Netherland

Seitenzahl

201

Maße (L/B/H)

23,5/15,5/1,3 cm

Gewicht

342 g

Auflage

Softcover reprint of the original 1st ed. 2014

Sprache

Englisch

ISBN

978-94-017-7943-2

Herstelleradresse

Springer-Verlag KG
Sachsenplatz 4-6
1201 Wien
AT

Email: GPSR Kontakt

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  • Produktbild: Young Audiences, Theatre and the Cultural Conversation
  • Produktbild: Young Audiences, Theatre and the Cultural Conversation

  • Foreword.- Acknowledgments.- Part I TheatreSpace Project Partners and Case Studies.- Chapter 1: Introduction by John O’Toole. Interlude: The TheatreSpace Case Studies 1 and 2 The Importance of Being Earnest - Queensland Theatre Company, Anatomy Titus: Fall of Rome – Bell Shakespeare, Sydney.- Chapter 2: The Project, its Partners and its Purposes by Michael Anderson and Josephine Fleming.- Interlude: The TheatreSpace Case Studies 3 and 4, Yibiyung – The Malthouse Theatre, Melbourne, Fake Porno – Brisbane Powerhouse.- Chapter 3: Access and the Practicalities of Attendance by Christine Sinclair.- Interlude: The TheatreSpace Case Studies 5 and 6, The Removalists – Sydney Theatre Company, Goodbye Vaudeville Charlie Mudd – Arena Theatre, Melbourne.- Chapter 4: The Context of the Performance Event by Madonna Stinson.- Interlude: The TheatreSpace Case Studies 7 and 8, The Shape of a Girl – Sydney Opera House, The Shape of a Girl – The Arts Centre, Melbourne.- Chapter 5: The Education Landscape by Kate Donelan with Richard Sallis.- Interlude: The TheatreSpace Case Studies 9 and 10, God of Carnage – Melbourne Theatre Company, The True Story of Butterfish – Brisbane Powerhouse.- Chapter 6: Young Audiences from the Educators' Perspective by Robyn Ewing, Josephine Fleming, Bruce Burton and Madonna Stinson.- Interlude: The TheatreSpace Case Studies 11 and 12, Up Jumped the Devil – Queensland Performing Arts Centre, World Theatre Festival – Brisbane Powerhouse.- Chapter 7: The Industry Partners’ Perceptions by Josephine Fleming, Robyn Ewing and John Hughes.- Interlude: The TheatreSpace Case Studies 13 and 14, The Beauty Queen of Leenane – Sydney Theatre Company, King Lear – Bell Shakespeare, Sydney.- Chapter 8: Engagement and Liveness by Penny Bundy.- Interlude: The TheatreSpace Case Studies 15 and 16, Moth – Arena Theatre, Melbourne, The Threepenny Opera – The Malthouse Theatre , Melbourne.- Chapter 9: Building Theatre Confidence by Christine Sinclair and Ricci-Jane Adams.- Interlude: The TheatreSpace Case Studies 17 and 18, Fat Pig – Queensland Theatre Company, Moth -  Sydney Opera House.- Chapter 10: Theatre Literacy by Bruce Burton, Penny Bundy and Robyn Ewing.- Interlude: The TheatreSpace Case Studies 19 and 20, Dead Man’s Cell Phone – Melbourne Theatre Company, The Kind of Ruckus  - The Arts Centre, Melbourne.- Chapter 11: ‘It’s Real’ - Genre and Performance Style by Angela O’Brien.- Interlude: The TheatreSpace Case Study 21, Wicked – Queensland Performing Arts Centre.- Chapter 12: Conclusion – a Continuum for Planning by Christine Sinclair, Ricci-Jane Adams and John O’Toole