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Produktbild: Facets of Russian Irrationalism Between Art and Life
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Facets of Russian Irrationalism Between Art and Life Mystery Inside Enigma

Aus der Reihe Facets of Russian Irrationalism between Art and Life

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

21.04.2016

Herausgeber

Olga M. Tabachnikova

Verlag

Brill

Seitenzahl

532

Maße (L/B/H)

24,4/15,9/3,8 cm

Gewicht

928 g

Sprache

Englisch

ISBN

978-90-04-31111-4

Beschreibung

Portrait

Olga Tabachnikova is a Lecturer in Russian at the University of Central Lancashire and Visiting Research Fellow at the University of Bath. There she obtained two PhDs (Mathematics , 1995; Franco-Russian Studies, 2007). She has numerous publications on Russian literature and culture.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

21.04.2016

Herausgeber

Olga M. Tabachnikova

Verlag

Brill

Seitenzahl

532

Maße (L/B/H)

24,4/15,9/3,8 cm

Gewicht

928 g

Sprache

Englisch

ISBN

978-90-04-31111-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Facets of Russian Irrationalism Between Art and Life
  • Introduction. Olga Tabachnikova, Rationalising Russian Irrationalism

    Part I: On the Place of Irrationalism in the Russian History of Ideas

    Chapter 1. Barbara Olaszek, The Traditions of Rationalism in Russian Culture of the Pre-Soviet Period
    Chapter 2. Tatiana Chumakova, Irrationalism in Ancient Russia
    Chapter 3. Oliver Smith, Ethos versus Pathos: The Ontologisation of Knowledge in Russian Philosophy
    Chapter 4. Christopher John Tooke, Irrationalism and anti-Semitism in Late-tsarist Literature
    Chapter 5. Natalia Vinokurova, Russian Semiotics of Behaviour, or can a Russian Person be Regarded as 'Homo Economicus'?
    Chapter 6. Elizabeth Harrison, 'Fides et ratio': Catholicism, Rationalism and Mysticism in Russian Literary Culture of the Mid-Nineteenth Century

    Part II: Russian Classics and Their Influence in Space and Time

    Chapter 7. Arkadii Goldenberg, The Irrational Basis of Gogol''s Mythopoetics
    Chapter 8. Sergei Kibal'nik, On the Philosophical Sources and Nature of Dostoevskii's Anti-Rationalism
    Chapter 9. Alexander McCabe, Shifting French Perspectives on Dostoevskian Anti-Rationalism
    Chapter 10. Margarita Odesskaia, The Concept of Love and Beauty in the Works of Turgenev
    Chapter 11. Olga Tabachnikova, Patterns of European Irrationalism, from Source to Estuary: Johann Georg Hamann, Lev Shestov and Anton Chekhov - On Both Sides of Reason
    Chapter 12. Rainer Grübel, Lev Tolstoi and Vasilii Rozanov: Two Fundamental(ist) Types of Russian Irrationalism

    Part III: The Silver Age

    Chapter 13. Henrieke Stahl, From Neo-Kantian Theory of Cognition to Christian Intellectual Mysticism:
    Logical Voluntarism in Vladimir Solov'ev and Andrei Belyi
    Chapter 14. Marilyn Schwinn Smith, Aleksei Remizov's Pliashushchii demon - tanets i slovo : Cultural Memory, Dreams and Demons
    Chapter 15. Ildikó Mária Rácz, Irrational Elements in Ivan Bunin's Short Story "The Grammar of Love"
    Part IV: Russian Culture into the 20th Century and Beyond
    Chapter 16. Jeremy Howard, Viewing Askance: Irrationalist Aspects in Russian Art from Fedotov to Malevich and into the Beyond
    Chapter 17. Aleksandr Ivashkin, Symbols, Metaphors and Irrationalities in Twentieth-Century Music
    Chapter 18. Oleg Kovalov, The Irrational in Russian Cinema (A Short Course)
    Chapter 19. Olga Stukalova and Elena Kabkova, The Rational and Irrational Standard: Russian Architecture as a Facet of Culture
    Part V: Soviet and Post-Soviet Literature
    Chapter 20. Kira Gordovich, The Irrational in the Perception of Andrey Platonov's Characters
    Chapter 21. Liudmila Safronova, The Metaphysics of Numbers in the Eurasian Artistic Mentality: Viktor Pelevin's The Dialectics of the Transition Period (From Nowhere to No Place)
    Chapter 22. Oliver Ready, "Questions to which Reason has no Answer": Iurii Mamleev's Irrationalism in European Context
    Chapter 23. David Gillespie, Vladimir Sorokin and the Return of History