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Produktbild: Routledge International Handbook of Visual Criminology

Routledge International Handbook of Visual Criminology

324,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

21.06.2017

Abbildungen

schwarz-weiss Illustrationen, farbige Illustrationen, Raster, schwarz-weiss, Raster, farbig, Zeichnungen, schwarz-weiss, Tabellen, schwarz-weiss

Herausgeber

Michelle Brown + weitere

Verlag

Taylor and Francis

Seitenzahl

578

Maße (L/B/H)

24,9/17,3/4,1 cm

Gewicht

1478 g

Sprache

Englisch

ISBN

978-1-138-88863-0

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

21.06.2017

Abbildungen

schwarz-weiss Illustrationen, farbige Illustrationen, Raster, schwarz-weiss, Raster, farbig, Zeichnungen, schwarz-weiss, Tabellen, schwarz-weiss

Herausgeber

Verlag

Taylor and Francis

Seitenzahl

578

Maße (L/B/H)

24,9/17,3/4,1 cm

Gewicht

1478 g

Sprache

Englisch

ISBN

978-1-138-88863-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Routledge International Handbook of Visual Criminology

    1. Introducing Visual Criminology, Michelle Brown and Eamonn Carrabine

      2. Part I: Foundations – History, Theory Methods

    2. Law, evidence and representation, Katherine Biber

    3. Social science and visual culture, Eamonn Carrabine

    4. "We never, never talked about photography": Documentary photography, visual criminology, and method, Jeff Ferrell

    5. Crime films and visual criminology, Nicole Rafter

    6. Key methods of visual criminology: An overview of different approaches and their affordances, Luc Pauwels

    7. Visions of legitimacy: Public criminology, the image and the legitimation of the carceral state, Jonathan Simon

    8. Carceral geography and the spatialization of carceral studies, Dominique Moran

    9. Art and its unruly histories: Old and new formations, Eamonn Carrabine

      10. Part II: Images and Crime

    10. Making the criminal visible: photography and criminality, Jonathan Finn

    11. Documentary criminology: A cultural criminological introduction, Keith Hayward

    12. Going feral: Kamp Katrina as a case study of documentary criminology, David Redmon

    13. Mediated suffering, Sandra Walklate

    14. Media, popular culture and the lone wolf terrorist: The evolution of targeting, tactics and violent ideologies, Mark Hamm and Ramón Spaaij

    15. Representing the pedophile, Steven Kohm

    16. Street art, graffiti and urban aesthetics, Alison Young

    17. Risky business: Visual representations in corporate crime films, Gray Cavender and Nancy Jurik

    18. Crimesploitation, Paul Kaplan and Daniel LaChance

      19. Part III: Images and Criminal Justice

    19. In plain view: Violence and the police image. Travis Linneman

    20. The role of the visual in the restoration of social order, Tony Kearon

    21. Opening a window on probation cultures: A photographic imagination, Anne Worrall, Nicola Carr and Gwen Robinson

    22. How does the photograph punish?, Phil Carney

    23. The visual retreat of the prison: Non-places for Non-people, Yvonne Jewkes, Eleanor Slee and Dominique Moran

    24. Pervasive punishment: Experiencing supervision, Wendy Fitzgibbon, Christine Graebsch and Fergus McNeill

    25. Graphic justice and criminological aesthetics: Visual criminology on the streets of Gotham, Thomas Giddens

      26. Part IV: Accusing Images and Images Accused

    26. Staged imagery of killing and torture: Ethical and normative dimensions of seeing, Lieve Gies

    27. Jus Des(s)erts? Crime and Punishment in the Italian Last Judgement, Lisa Wade

    28. Visualizing blackness – racializing gameness: Social inequalities in virtual gaming communities, Jordan Mazurek and Kishonna Gray

    29. Visual power and sovereignty: Indigenous art and colonialism, Chris Cuneen

    30. Asylum seekers and moving images: Walking, sensorial encounters and visual criminology, Maggie O’Neill

    31. Visual criminology and cultural memory: The aestheticization of boat people, Jacqueline Wilson

    32. Seeing and seeing-as: Building a politics of visibility in criminology, Sarah Armstrong

    33. The concerned criminologist: Refocusing the ethos of socially committed photographic research, Cécile Van de Voorde

    34. Los Angeles, urban history and neo-noir cinema, Gareth Millington

    35. Against a "humanizing" prison cinema: The Prison in Twelve Landscapes and the politics of abolition imagery, Brett Story

      36. Part V: Future Directions

    36. Fascinated receptivity and the visual unconscious of crime, Stephen Pfohl

    37. The criminologist as visual scholar in a global mediascape, Michelle Brown

    38. Sunk capital, sinking prisons, stinking landfills: Landscape, ideology, visuality and the carceral state in central Appalachia, Judah Schept

    39. Territorial coding in street art and censure: Ernest Pignon-Ernest’s contribution to visual criminology, Ronnie Lippens

    40. Representations of environmental crime and harm: A green-cultural criminological perspective on Human-Altered Landscapes, Avi Brisman

    41. There’s no place like home: Encountering crime and criminality in representations of the domestic, Michael Fiddler

    42. Monstrous nature: A meeting of gothic, green and cultural criminologies, Nigel South