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  • Produktbild: Shaping Shakespeare for Performance
  • Produktbild: Shaping Shakespeare for Performance

Shaping Shakespeare for Performance The Bear Stage

Aus der Reihe Fairleigh Dickinson University Press Series on Shakespeare and th

147,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

29.10.2015

Herausgeber

Catherine Loomis + weitere

Verlag

Fairleigh Dickinson University Press

Seitenzahl

324

Maße (L/B/H)

23,5/15,7/2,4 cm

Gewicht

678 g

Sprache

Englisch

ISBN

978-1-61147-784-9

Beschreibung

Portrait

Edited by Catherine Loomis and Sid Ray - Contributions by Alan Armstrong; Sybille Bruun; Annalisa Castaldo; Heidi Cephus; Christopher Clary; Peter Hyland; Peter Kanelos; James Keegan; Matt Kozusko; Russ McDonald; Ann Pleiss Morris; Cass Morris; Fiona Harr

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

29.10.2015

Herausgeber

Verlag

Fairleigh Dickinson University Press

Seitenzahl

324

Maße (L/B/H)

23,5/15,7/2,4 cm

Gewicht

678 g

Sprache

Englisch

ISBN

978-1-61147-784-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Shaping Shakespeare for Performance
  • Produktbild: Shaping Shakespeare for Performance

  • Acknowledgments
    Dedication
    Foreword
    Ralph Alan Cohen
    The Bear Stage
    Catherine Loomis and Sid Ray

    Part I "Edit, pursued by a bear":
    Essays on Editing Shakespeare for the Stage and the Page
    1 "Now this is where you can bring in Cleopatra's horse": Editing Shakespeare for the Stage
    Ann Thompson
    2 Patient Auditor to Gentle Reader: Transforming the Introduction from Playhouse to Print House
    Ann Pleiss Morris
    3 "Why do you thus exclaim?": Emotionally Inflected Punctuation in Editorial Practice and in Performance
    Cass Morris

    Part II: "I must bear a part": Essays on Analyzing and Playing Character
    4 Why Are Shakespeare's Characters So Relatable?
    Matt Kozusko
    5 Anatomiz[ing] Regan: Performing Parts in King Lear"
    Paige Martin Reynolds
    6 A Piece of Cake, a Bit of Dance, and a Fat Suit on Its Knees: Staging the Epilogue of 2 Henry IV at the Blackfriars in 2010
    James Keegan
    7 Isabella in Measure for Measure: Discovering the Pleasure of Performance
    Celestine Woo
    8 "You that way, we this way": Letters and Possibilities in Love's Labour's Lost
    Sybille Bruun
    9 Moll's Queer Anatomy: The Roaring Girl and Queer Generation
    Christopher Clary
    10 Imaginative Bodies and Bodies Imagined in Shakespeare's The Tempest and Fletcher and Massinger's The Sea Voyage
    Michael Wagoner

    Part III
    "Devil in a bear's doublet": Essays on Shaping Performance
    11 The Thundering Audience of King Lear
    Heidi N. Cephus
    12 "Off with his head! . So much for [Hewlett/Brown]": The African Grove Theatre Presents Richard III
    Danielle Rosvally
    13 "To make the unskillful laugh": A Rhetoric of Belches in Twelfth Night
    Sid Ray
    14 "And are by child with me": The Performance of Pregnancy in Shakespeare's All's Well That Ends Well
    Kathryn M. Moncrief
    15 "Your majesty came not like yourself": Staging and Understanding the Glove Episode of Henry V
    Annalisa Castaldo
    16 Bringing Justice to Bear: An Unusual 1609 Trial
    Catherine Loomis

    Part IV:
    "Dissembling Cub[s]": Essays on Staging the Metatheatrical
    17 Doubling in The Comedy of Errors
    Alan Armstrong
    18 Scare Bear: Playing with Mucedorus
    Peter Hyland
    19 "Pardon, gentles all": Performing the Metatheatrical
    Deb Streusand
    20 Craving the Law in The Merchant of Venice, or How to Draft an Enforceable Contract for a Pound of Flesh
    Kimberly West

    Part V
    "Bear the Verses": Essays on Rhetoric and Performance
    21 Refiguring Richard: Towards a Hermeneutics of the Figure
    Peter Kanelos
    22 "Ah, poor our sex! This fault in us I find": Performative Silences in Troilus and Cressida
    Fiona Harris-Ramsby
    23 Shakespeare and the History of the Bookish
    Russ McDonald

    About the Contributors