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Produktbild: Metal Music Manual

Metal Music Manual Producing, Engineering, Mixing, and Mastering Contemporary Heavy Music

118,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

08.03.2017

Verlag

Taylor & Francis

Seitenzahl

382

Maße (L/B/H)

23,3/19,2/3 cm

Gewicht

702 g

Auflage

1st ed.

Sprache

Englisch

ISBN

978-1-138-80932-1

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

08.03.2017

Verlag

Taylor & Francis

Seitenzahl

382

Maße (L/B/H)

23,3/19,2/3 cm

Gewicht

702 g

Auflage

1st ed.

Sprache

Englisch

ISBN

978-1-138-80932-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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Die Leseprobe wird geladen.
  • Produktbild: Metal Music Manual

  • Acknowledgments

    Foreword

    Chapter 1: Introduction

    • Audio

    • Video Interviews

    • Forum

    Chapter 2: Contemporary Metal Music

    Chapter 3: The Parameters of Heaviness

    • Distortion

    • Proximity

    • Perceived Loudness

    • The Distortion Paradox

    • Sonic Weight

    • Transients

    • Spectral Dynamics and Transient Brightness

    • Clarity

    • Definition

    • Intelligibility

    • Performance Precision

    Pre-Production

    Chapter 4: Pre-Production

    • Vision and Leadership

    • Rehearsals

    • The Budget

    • Click Tracks

    • In Practice

    • Tempo Mapping

    • Click Tones

    • Guide Tracks

    • Click-Free Tracking

    • Live Guide Tracks without a Click

    • Overdubs without a Click

    • The Click Track Acid Test

    Chapter 5: Sound at Source

    • Drums

      • Drum Shells

      • Shell Thickness, Diameter, Depth and Hardware

      • Symmetry and Flatness

      • Drumheads and Re-Heading

        • Batter Heads

        • Resonant Heads

        • Re-Heading/Bedding-In

      • Drum Tuning

        • Kick Tuning

        • Snare Tuning

        • Toms Tuning

      • Dampening

        • Kick Dampening

        • Snare and Toms Dampening

      • Hats, Ride and Cymbals

    • Bass and Guitar

      • Down-Tuning

        • Baritones/Longer Scale Lengths

      • Guitar Overdrive Pedals

      • Amp/Cab/Mic Simulation and Modelling

      • Amplifiers

        • Bass Amps

        • Guitar Amps

      • Loudspeakers and Loudspeaker Cabinets

    Engineering

    Chapter 6: Engineering Overview

    • Isolation=Separation=Control

    • Headroom

    • Printed Compression

    • Printed EQ

    Chapter 7: Drums

    • Set Up

    • Kick Drums

      • Attack Mic

      • Porthole Placement

      • Low Frequency Capture

      • Isolation Tunnels

      • Double Kick Performance Solutions

      • Kick Building

    • Snare Top

    • Snare Bottom

    • Toms

      • Batter Mic

      • Double Miked Toms

      • Concert Toms

    • Metalwork

      • Hats

      • Ride

      • Cymbals

        • Spaced Pair

        • Close Miked Cymbals

        • Paired Cymbal Miking

    • Room Mics and Controlled Cohesion

    • Triggers

    • Recording Drum Hits from the Kit used for Tracking

    • Sample Creation

    • Drum Edits and Quantization

      • Gridding

      • Phase

      • Retention of Human Feel

      • Micro-Editing

      • Quantization-Based Tools

    Chapter 8: Guitars

    • D.I.'s and Re-amping

    • Speaker Selection

    • Isolation Tactics

    • Amp Volume

    • Mic Selection

    • Loudspeaker Frequency Radiation

    • Mic Placement

    • Proximity Effect

    • Off-Axis Placement

    • Double Miking

    • Double Tracking (vs. Quad Tracking)

    • Quad Tracking

    • Tonal Variation

    • Multi Amp/Cab Recording for Double-Tracked Guitars

    • Mix Center Rhythm Thickener

    Chapter 9: Bass

    • D.I.

    • Dirty D.I.

    • (Series) Amp/Cab Distortion

    • Amp/Cab/Mic

      • Isolation, Speaker Selection & Master Volume

      • Mic Selection

      • Mic Placement

      • Double Miking

      • Phase Alignment

    • Emulation

    • Layers

    • (Parallel) Reinforcement Distortion

    Chapter 10: Vocals

    • Scheduling

    • Coaching, Communication and Comping

    • Engineering

    • Polar Patterns and Gang Vocals

    • Handheld Vocal Recording

    • Vocal Compression

    • Monitoring

      • Headphone-less Vocal Recording

    • Recording Further Instruments

    Mixing

    Chapter 11: Edits, Polarity and Phase Alignment, Samples and Gates

    • Edits

    • Mix Groups

    • Polarity and Phase Alignment

      • Drums

      • Phase Alignment

      • Bass

      • Guitars

    • Waveform Edits

    • Multing

    • Drum Samples - Overview

    • Drum Sample Selection

      • Drum Samples Libraries vs. Samples Created from the Kit used for Tracking

      • Kick Sample Selection

      • Snare Sample Selection

      • Tom Sample Selection

    • Sample Implementation

      • Kick

      • Snare

      • Toms

    • Isolation vs. Cohesion

    • Gating

      • Kick and Snare Gating

      • Keyed Gating

      • Toms: Gating vs. Automation vs. Waveform Edits

    Chapter 12. Balance and Stereo Width

    • Mix Group Component Balance

    • Mix Balance

    • Panning and Stereo Width

      • Mix Center

      • Sides

    • Monitoring and Room Acoustics

      • Monitoring Level

      • Headphone Monitoring

    Chapter 13: Compression

    • Signal Chain Order

    • Compression Parameters

    • Timbral Coloration and Transient Design

    • Drum Compression

      • Signal Stability

      • Punch

      • Transient Design

      • Attack Settings

      • Release, Threshold, Ratio

      • Make-Up Gain

      • Hats, Ride, and Cymbal Compression

      • Room Mic Compression

      • Parallel Compression

      • Drum Bus Compression

    • Bass Compression

      • Reinforcement Distortion

      • Series Bass Compression

      • Signal Bracketing

      • Parallel Bass Compression

      • Bass Automation

      • Keyed Compression

    • Rhythm Guitar Compression

      • Palm Muted 'Chug-Thump'

    • Lead Guitar Compression

    • Vocal Compression

      • Parallel Vocal Compression

    • Sibilance and De-Essing

    • Limiting

    Chapter 14: EQ

    • Parametric EQ

    • High Pass Filters

    • Sweep EQ

    • Corrective and Surgical EQ

    • Instrument EQ

      • Drums

        • Kick Drum

        • Optimized Kick HPF Cut Settings

        • Kick Weight

        • Low-Mids - Broad Corrective EQ

        • Attack/Click

        • Frequency Bracketing

      • Snare Top/Snare Samples

        • The Baxandall Curve

    • Intelligent EQ

      • Snare Bottom

      • Toms

    • Context and Interdependence

      • Metalwork

      • Room Mics

    • Low Pass Filters

    • Spectral Masking

      • Distributed Creative and Corrective EQ

      • Anti-Masking in Mono

    • Bass

      • The Missing Fundamental

      • Low-End

      • Low-Mids

      • High-Mids

      • Additional Layers

      • Bass Reinforcement Distortion

      • Frequency Bracketing

    • Channel EQ / Group EQ

    • Rhythm Guitar EQ

      • HPF and Low Frequency Emphasis (Cabinet Thump/Sonic Weight)

      • Mids

      • Big Mono vs. Panoramic Width

      • Low highs - Mid Highs

      • Mirrored EQ

      • Dynamic EQ

    • Vocals

      • HPF and Lows to Low Mids

      • Mids

      • Highs

    Chapter 15: Effects Processing and Automation

    • Reverb

      • Reverb Decay and Pre-Delay Times

      • Drums

      • Decay vs. Level

      • Snare Reverb - Aux Sends

      • Guitars and Bass

      • Vocals

      • Processing the Reverb Return Paths

        • EQ

        • (Reverb Return) Transient Design, Compression, Tape Emulation and Pitch Shifting

      • Reverse Reverb, Special Effects and Automation

    • Delay

      • Processing the Delay Return Paths

      • Pitch Thickening Width Enhancement

    • Distortion

      • Parallel Snare Distortion

      • Megaphone and AM Radio Effect

    • Sine Wave or White Noise Reinforcement

    • Analogue and Tape Emulation

    • Mix Referencing

    • Automation

    Chapter 16: Master Buss Processing

    • Master Buss Compression

    • Master Buss EQ

    • Master Buss Limiting

    • Summing

    Mastering

    Chapter 17: Mastering

    • DIY and the 'Four Es' of Mastering

    • Signal Chain

    • Mastering EQ

      • High Pass Filters and Low End Control

      • Low-Mids and Mids

      • Low-End Foundation

      • Upper Mids and High Frequencies

      • Stereo EQ vs. Mid/Side EQ

      • Low-end Localization

    • Reverb

    • Unified Mastering - Bridging the Divide

    • Compression

      • Broadband Compression vs. Multiband Compression

      • Broadband Compression

      • Mid/Side Compression

      • Side Chain Filtering

      • Multiband Compression

        • Two Band

        • Three-Band

        • Four-Band

        • Multiband Parameters

          • Low Band

          • Mid Band

          • High Band

      • Mid/Side Multiband Compression

      • Parallel/Upward Compression

    • Harmonic Enhancement

    • Stereo Width Enhancement

    • Stem Mastering

    • Soft Clipping

    • Limiting

    • Automation

    • Fades

    • Mastered Output Peak Levels - CD

    Chapter 18: Loudness Normalization

    • Loudness Metering and Mastering Practice

    • A Final Word

    Index