Produktbild: Opera and Vivaldi

Opera and Vivaldi

58,99 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.07.1984

Herausgeber

Michael Collins

Verlag

University Of Texas Press

Seitenzahl

410

Maße (L/B/H)

22,9/15,2/2,4 cm

Gewicht

663 g

Sprache

Englisch

ISBN

978-1-4773-0064-0

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.07.1984

Herausgeber

Michael Collins

Verlag

University Of Texas Press

Seitenzahl

410

Maße (L/B/H)

22,9/15,2/2,4 cm

Gewicht

663 g

Sprache

Englisch

ISBN

978-1-4773-0064-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)

  • Produktbild: Opera and Vivaldi
    • Introduction. Vivaldi’s Orlando furioso: The Dallas Opera Production and Symposium, by Elise K. Kirk
    • Part I. Literary Sources and Their Transformation into Opera
      • Dramatic Theory and the Italian Baroque Libretto, by Michael Collins
      • Mythological Subjects in Opera Seria, by Sven Hansell
      • Ariosto and the Oral Tradition, by C. Peter Brand
      • Ariosto’s Orlando and Opera Seria, by Gary Schmidgall
      • Orlando in Seicento Venice: The Road Not Taken, by Ellen Rosand
      • Eighteenth-Century Orlando: Hero, Satyr, and Fool, by Ellen T. Harris
    • Part II. Venetian Opera in Its Cultural Milieu
      • Venetian Theaters during Vivaldi’s Era, by William C. Holmes
      • Costume in the Frescoes of Tiepolo and Eighteenth-Century Italian Opera, by William L. Barcham
      • Baroque Manners and Passions in Modern Performance, by Shirley Wynne
      • Opera Criticism and the Venetian Press, by Eleanor Selfridge-Field
    • Part III. The Practice of Opera Seria
      • Voice Register as an Index of Age and Status in Opera Seria, by Roger Covell
      • Cadential Structures and Accompanimental Practices in Eighteenth-Century Italian Recitative, by Michael Collins
      • Declamation and Expressive Singing in Recitative, by Mary Cyr
      • Embellishing Eighteenth-Century Arias: On Cadenzas, by Howard Mayer Brown
    • Part IV. Vivaldi as Dramatic Composer
      • The Relationship between Text and Music in the Operas of Vivaldi, by Eric Cross
      • Vivaldi as Self-Borrower, by Klaus Kropfinger
      • Vivaldi’s Orlando: Sources and Contributing Factors, by John Walter Hill
    • Part V. Baroque Opera Today
      • Preparing the Critical Edition: An Interview with Alan Curtis, by Marita P. McClymonds
      • Opera Seria Today: A Credo, by Andrew Porter
    • Appendix. Grazio Braccioli’s Orlando furioso: A History and Synopsis of the Libretto, by Michael Collins
    • Contributors
    • Index