Anne Marsh is a professional research fellow at the Victorian College of the Arts, University of Melbourne.
Melissa Miles is an Australian Research Council Future Fellow and photography historian.
Daniel Palmer is a writer and Senior Lecturer in the Art Theory Program in the Faculty of Art, Design & Architecture at Monash University. He has a long-standing involvement with the Centre for Contemporary Photography in Melbourne, as a former curator and current board member. His publications include the books Twelve Australian Photo Artists (2009), co-authored with Blair French, and the edited volume Photogenic: Essays/Photography/CCP 2000–2004 (2005). His scholarly writings on photography have appeared in journals such as Photographies, Philosophy of Photography, Angelaki and Reading Room, and he regularly contributes to art magazines including Art & Australia and Frieze. His current research focuses upon the digital image and collaboration in photography.
Anne Marsh is a professional research fellow at the Victorian College of the Arts, University of Melbourne.
Melissa Miles is an Australian Research Council Future Fellow and photography historian.
Daniel Palmer is a writer and Senior Lecturer in the Art Theory Program in the Faculty of Art, Design & Architecture at Monash University. He has a long-standing involvement with the Centre for Contemporary Photography in Melbourne, as a former curator and current board member. His publications include the books Twelve Australian Photo Artists (2009), co-authored with Blair French, and the edited volume Photogenic: Essays/Photography/CCP 2000–2004 (2005). His scholarly writings on photography have appeared in journals such as Photographies, Philosophy of Photography, Angelaki and Reading Room, and he regularly contributes to art magazines including Art & Australia and Frieze. His current research focuses upon the digital image and collaboration in photography.
Daniel Palmer is associate dean of Research and Innovation in the School of Art at RMIT University. His book publications include Photography and Collaboration: From Conceptual Art to Crowdsourcing (Bloomsbury, 2017); Digital Light (Open Humanities Press, 2015), edited with Sean Cubitt and Nathaniel Tkacz; and The Culture of Photography in Public Space (Intellect, 2015), edited with Anne Marsh and Melissa Miles.
Contact: School of Art, RMIT University, Building 24, Level 2, Room 1A, 124 La Trobe Street, Melbourne, VIC 3000, Australia.
Alfredo Cramerotti is a writer, curator and editor working across TV, radio, publishing, writing and exhibition making. He co-curated Manifesta 8, the European Biennial of Contemporary Art, 2010, the Maldives Pavilion and the Wales Pavilion at the 55th Venice Art Biennial, 2013, and the 4th Trienala Ladina in South Tyrol in 2013. He directs MOSTYN, Wales’ leading contemporary art institution, and the itinerant projects AGM Culture and Chamber of Public Secrets (CPS). He is Research Scholar at the European Centre for Photography Research, University of Wales, Newport, and Editor of the Critical Photography series by Intellect Books. His own publications include the book Aesthetic Journalism: How to Inform without Informing (2009) and Unmapping the City: Perspectives of Flatness (2010).
