Introduction
Part I: Small Cinemas Discovered Anew?
Chapter 1: Gender and National Identity Politics in Inch' Allah Dimanche: Transnational Feminist Quests and Calls for A New French Hybridity, Catherine Douillet
Chapter 2: New Cinema of Nostalgia in Poland, Janina Falkowska
Chapter 3: The Power of the Local: Greek Documentaries in the 2000s, Lydia Papadimitriou
Part II: Affirming Identity
Chapter 4: Police Adjective: A Journey and a Halt Straight to the Center of Words, Catalina Florina Florescu
Chapter 5: Identities in the New Romanian Cinema, Lenuta Giukin
Chapter 6: Bolivian Road Movies, Travel Chronicles, Andrés Laguna Tapia
Chapter 7: The Apparitions of A Day Gone By and The Stasis of the Present in the Films of Sarunas Bartas, Renata Sukaityte
Part III: Markets and Industries
Chapter 8: A New Orphan Island Paradise: Hong Kong Cinema and the Struggles of the Local, 1945-1965, David Desser
Chapter 9: New Croatian Cinema: Literature and Genre in the Post-Yugoslav Era, Nikica Gilic
Chapter 10: The State Market and the Indonesian Film Industry, Tito Imanda
Chapter 11: Filmmaking in East Africa: Focus on Kenya, Tanzania and Uganda, Milica Slavkovic
Chapter 12: New Bulgarian Documentary, Marian Tutui
Part IV: Small Screens, Small Narratives
Chapter 13: The Lost Origins of Personal-Screen Cinema, Steven Wingate
Chapter 14 : The Size of the Screens: Technologies and New Models of Seeing and Hearing, José Cláudio Siqueira Castanheira
Afterword, Dina Iordanova