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  • Produktbild: The Routledge Companion to Puppetry and Material Performance
  • Produktbild: The Routledge Companion to Puppetry and Material Performance

The Routledge Companion to Puppetry and Material Performance

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

15.07.2014

Herausgeber

Posner Dassia N. + weitere

Verlag

Taylor & Francis

Seitenzahl

352

Maße (L/B/H)

25/17,5/2,5 cm

Gewicht

860 g

Sprache

Englisch

ISBN

978-0-415-70540-0

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

15.07.2014

Herausgeber

Verlag

Taylor & Francis

Seitenzahl

352

Maße (L/B/H)

25/17,5/2,5 cm

Gewicht

860 g

Sprache

Englisch

ISBN

978-0-415-70540-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Routledge Companion to Puppetry and Material Performance
  • Produktbild: The Routledge Companion to Puppetry and Material Performance

  • Part I: Theory and Practice

    Edited and Introduced by John Bell

    Section I: Theoretical Approaches to the Puppet

    1. "The Death of ‘The Puppet’?" by Margaret Williams

    2. "Co-presence and Ontological Ambiguity of the Puppet" by Paul Piris

    3. "Playing with the Eternal Uncanny: The Persistent Life of Lifeless Objects" by John Bell

      4. Section II: Perspectives from Practitioners

    4. "Visual Dramaturgy: Some Thoughts for Puppet Theater Makers" by Eric Bass

    5. "Puppetry, Authorship, and the Ur-Narrative" by Basil Jones

    6. "Petrushka’s Voice" by Alexander Gref and Elena Slonimskaya

    7. "Clouds are Made of White!" by Rike Reiniger

    8. "Movement is Consciousness" by Kate Brehm

    9. "The Eye of Light: The Tension of Image and Object in Shadow Theatre and Beyond" by Stephen Kaplin

    10. "The Third Thing" by Jim Lasko

    11. "Post-Decivilization Efforts in The Nonsense Suburb of Art" by Peter Schumann

      12. Part II: New Dialogues with History and Tradition

      Edited and Introduced by Claudia Orenstein

      Section III: Revisiting History

    12. "Making A Troublemaker: Charlotte Charke’s Proto-Feminist Punch" by Amber West

    13. "Life-Death and Disobedient Obedience: Russian Modernist Redefinitions of the Puppet" by Dassia N. Posner

    14. "The Saracen of Opera dei Pupi: A Study of Race, Representation and Identity" by Lisa Morse

    15. "Puppet Think: The Implication of Japanese Ritual Puppetry for Thinking Through Puppetry Performances" by Jane Marie Law

    16. "Relating to the Cross: A Puppet Perspective on the Holy Week Ceremonies of the Regularis Concordia" by Debra Hilborn

      17. Section IV: Negotiating Tradition

    17. "Traditional and Post-traditional Wayang Kulit in Java Today" by Matthew Isaac Cohen

    18. "Korean Puppetry and Heritage: Hyundai Puppet Theatre and Creative Group NONI Translating Tradition" by Kathy Foley

    19. "Forging New Paths for Kerala's Tolpavakoothu, Leather Shadow Puppetry Tradition" by Claudia Orenstein

    20. "Integration of Puppetry Tradition into Contemporary Theatre: The Reinvigoration of the Vertep Puppet Nativity Play after Communism in Eastern Europe" by Ida Hledíková

      21. Part III: Contemporary Investigations and Hybridizations

      Edited and Introduced by Dassia N. Posner

      Section V: Material Performances in Contemporary Theatre

    21. "From Props to Prosopoeia: Making After Cardenio" by Jane Taylor

    22. "‘A Total Spectacle but a Divided One:’ Redefining Character in Handspring Puppet Company’s Or You Could Kiss Me" by Dawn Tracey Brandes

    23. "Reading a Puppet Show: Understanding the Three-Dimensional Narrative" by Robert Smythe

    24. "Notes on New Model Theatres" by Mark Sussman

      25. Section VI: New Directions and Hybrid Forms

    25. "From Puppet to Robot: Technology and the Human in Japanese Theatre" by Cody Poulton

    26. "Unholy Alliances and Harmonious Hybrids: New Fusions in Puppetry and Animation" by Colette Searls

    27. "Programming Play: Puppets, Robots, and Engineering" by Elizabeth Ann Jochum and Todd Murphey

    28. "Return to the Mound: Animating Infinite Potential in Clay, Food, and Compost" by Eleanor Margolies