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  • Produktbild: The Routledge Companion to Puppetry and Material Performance
  • Produktbild: The Routledge Companion to Puppetry and Material Performance

The Routledge Companion to Puppetry and Material Performance

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Beschreibung

The Routledge Companion to Puppetry and Material Performance¿offers a wide ranging perspective on how scholars and artists are currently reevaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This¿book proposes a collaborative,...

Beschreibung

The Routledge Companion to Puppetry and Material Performance¿offers a wide ranging perspective on how scholars and artists are currently reevaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This¿book proposes a collaborative, responsive model for broader artistic engagement in and with the material world. Its twenty-eight essays aim to advance the study of the puppet not only as a theatrical object, but also as a vibrant artistic and scholarly¿discipline.

Produktdetails

Einband

Gebundene Ausgabe
Erscheinungsdatum

15.07.2014
Abbildungen

Raster,schwarz-weiss
Herausgeber Posner Dassia N. + weitere

Produktdetails

Einband

Gebundene Ausgabe
Erscheinungsdatum

15.07.2014
Abbildungen

Raster,schwarz-weiss
Herausgeber
Verlag Taylor and Francis
Seitenzahl

378
Maße (L/B/H)

25/17,5/2,5 cm
Gewicht

830 g
Sprache

Englisch
ISBN

978-0-415-70540-0
Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Routledge Companion to Puppetry and Material Performance
  • Produktbild: The Routledge Companion to Puppetry and Material Performance

  • Part I: Theory and Practice

    Edited and Introduced by John Bell

    Section I: Theoretical Approaches to the Puppet



    1. "The Death of 'The Puppet'?" by Margaret Williams


    2. "Co-presence and Ontological Ambiguity of the Puppet" by Paul Piris


    3. "Playing with the Eternal Uncanny: The Persistent Life of Lifeless Objects" by John Bell

      4. Section II: Perspectives from Practitioners



    4. "Visual Dramaturgy: Some Thoughts for Puppet Theater Makers" by Eric Bass


    5. "Puppetry, Authorship, and the Ur-Narrative" by Basil Jones


    6. "Petrushka's Voice" by Alexander Gref and Elena Slonimskaya


    7. "Clouds are Made of White!" by Rike Reiniger


    8. "Movement is Consciousness" by Kate Brehm


    9. "The Eye of Light: The Tension of Image and Object in Shadow Theatre and Beyond" by Stephen Kaplin


    10. "The Third Thing" by Jim Lasko


    11. "Post-Decivilization Efforts in The Nonsense Suburb of Art" by Peter Schumann


      12. Part II: New Dialogues with History and Tradition


      Edited and Introduced by Claudia Orenstein


      Section III: Revisiting History



    12. "Making A Troublemaker: Charlotte Charke's Proto-Feminist Punch" by Amber West


    13. "Life-Death and Disobedient Obedience: Russian Modernist Redefinitions of the Puppet" by Dassia N. Posner


    14. "The Saracen of Opera dei Pupi: A Study of Race, Representation and Identity" by Lisa Morse




    15. "Puppet Think: The Implication of Japanese Ritual Puppetry for Thinking Through Puppetry Performances" by Jane Marie Law


    16. "Relating to the Cross: A Puppet Perspective on the Holy Week Ceremonies of the Regularis Concordia" by Debra Hilborn

      17. Section IV: Negotiating Tradition



    17. "Traditional and Post-traditional Wayang Kulit in Java Today" by Matthew Isaac Cohen


    18. "Korean Puppetry and Heritage: Hyundai Puppet Theatre and Creative Group NONI Translating Tradition" by Kathy Foley


    19. "Forging New Paths for Kerala's Tolpavakoothu, Leather Shadow Puppetry Tradition" by Claudia Orenstein


    20. "Integration of Puppetry Tradition into Contemporary Theatre: The Reinvigoration of the Vertep Puppet Nativity Play after Communism in Eastern Europe" by Ida Hledíková


      21. Part III: Contemporary Investigations and Hybridizations


      Edited and Introduced by Dassia N. Posner


      Section V: Material Performances in Contemporary Theatre



    21. "From Props to Prosopoeia: Making After Cardenio" by Jane Taylor


    22. "'A Total Spectacle but a Divided One:' Redefining Character in Handspring Puppet Company's Or You Could Kiss Me" by Dawn Tracey Brandes


    23. "Reading a Puppet Show: Understanding the Three-Dimensional Narrative" by Robert Smythe


    24. "Notes on New Model Theatres" by Mark Sussman

      25. Section VI: New Directions and Hybrid Forms



    25. "From Puppet to Robot: Technology and the Human in Japanese Theatre" by Cody Poulton


    26. "Unholy Alliances and Harmonious Hybrids: New Fusions in Puppetry and Animation" by Colette Searls


    27. "Programming Play: Puppets, Robots, and Engineering" by Elizabeth Ann Jochum and Todd Murphey


    28. "Return to the Mound: Animating Infinite Potential in Clay, Food, and Compost" by Eleanor Margolies