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Sampling Media

267,99 €

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

18.11.2019

Abbildungen

44 photographs

Herausgeber

Laderman David + weitere

Verlag

Oxford Academic

Seitenzahl

282

Maße (L/B/H)

24/16,1/2 cm

Gewicht

590 g

Sprache

Englisch

ISBN

978-0-19-994931-1

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

18.11.2019

Abbildungen

44 photographs

Herausgeber

Verlag

Oxford Academic

Seitenzahl

282

Maße (L/B/H)

24/16,1/2 cm

Gewicht

590 g

Sprache

Englisch

ISBN

978-0-19-994931-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Sampling Media
  • Produktbild: Sampling Media


    • About the Companion Website


    • List of Contributors


    • Introduction: Into the Remix: the Culture of Sampling


    • Laurel Westrup and David Laderman


    • PART I: ROOTS


    • Chapter 1: Shadow/Play: The Cinematic, Remixed, by David Laderman


    • Chapter 2 : Remixing With Rules: Constraint and Potential in Restrictive Remixes, by Richard L. Edwards


    • Chapter 3 : "Whatever Rubbish Was at Hand": The Emergence of the Media Sample in Guy Debord's Films, by R.D. Crano


    • Chapter 4 : Rigorous Infidelity: Whole Text Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard, by Barry Mauer


    • PART II: SCENES


    • Chapter 5: The Sydney Club Scene and the Sampling of Global Electronic Dance Music Culture, by Ed Montano


    • Chapter 6: Piggin' Out! Constructing Spanish Cultural History Through Media Sampling, by Miguel Fernández Labayen and Vicente Rodríguez Ortega


    • Chapter 7: Time Stand Still: Sampling Scenes and Slowing Media, by Ryan Alexander Diduck


    • Chapter 8: From Méjico Máxico to Político: Sampling the Past and the Present in the Mexican Musical Scene, by


    • Héctor Fernández L'Hoeste


    • PART III: CINEMA


    • Chapter 9: Love in the Club: Karaoke Realism in Chinese and Hong Kong Cinema, by Brian Hu


    • Chapter 10: Articulating a Hip Hop Sampling Aesthetic Through Film: Music and Memory in Three Hip Hop Documentaries, by Jesse Stewart


    • Chapter 11: "Dreamlo-lo-lover Where Are You-u-u?" Sampling as Analysis, Sampling as Symptom, by


    • Martin J. Zeilinger


    • Chapter 12: (In)appropriation: Productions of Laughter in Contemporary Found Footage Films, by Jaimie Baron


    • PART IV: WEB


    • Chapter 13: All Work and No Play: Trailer Park, the Mashup, and Industrial Pedagogies, by Jonathan Cohn


    • Chapter 14: Popular Culture through the Eyes, Ears, and Fingertips of Fans: Vidders, Anime Music Video Editors, and Their Sources, by Samantha Close


    • Chapter 15: How the World is Being Remade: The Case of Antoine Dodson and the Limits of Sampling as Trans-Cultural and Cross-Class Expression, by Corella Di Fede


    • Chapter 16: Thinking Through Sampling, Literally, by Laurel Westrup


    • Afterword


    • Sampling Across the Curriculum


    • Laurel Westrup and David Laderman


    • Bibliography


    • Index