The Doll
Aus der Reihe
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Sprache:Englisch
20,10 €
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Produktdetails
Format
ePUB
Kopierschutz
Ja
Family Sharing
Ja
Text-to-Speech
Ja
Erscheinungsdatum
23.02.2011
Verlag
New York Review BooksSeitenzahl
704 (Printausgabe)
Dateigröße
1099 KB
Übersetzt von
David Welsh
Sprache
Englisch
EAN
9781590173978
This brilliant romantic novel of three generations of men in Warsaw is "19th-century realism at its best." (Czeslaw Milosz)
Boleslaw Prus is often compared to Chekhov, and Prus's masterpiece might be described as an intimate epic, a beautifully detailed, utterly absorbing exploration of life in late-nineteenth-century Warsaw, which is also a prophetic reckoning with some of the social forces-imperialism, nationalism, anti-Semitism among them-that would soon convulse Europe as never before. But The Doll is above all a brilliant novel of character, dramatizing conflicting ideas through the various convictions, ambitions, confusions, and frustrations of an extensive and varied cast.
At the center of the book are three men from three different generations. Prus's fatally flawed hero is Wokulski, a successful businessman who yearns for recognition from Poland's decadent aristocracy and falls desperately in love with the highborn, glacially beautiful Izabela. Wokulski's story is intertwined with those of the incorrigibly romantic old clerk Rzecki, nostalgic for the revolutions of 1848, and of the bright young scientist Ochocki, who dreams of a future full of flying machines and other marvels, making for a book of great scope and richness that is, as Stanislaw Baranczak writes in his introduction, at once "an old-fashioned yet still fascinating love story . . . , a still topical diagnosis of society's ills, and a forceful yet subtle portrayal of a tragically doomed man.
Boleslaw Prus is often compared to Chekhov, and Prus's masterpiece might be described as an intimate epic, a beautifully detailed, utterly absorbing exploration of life in late-nineteenth-century Warsaw, which is also a prophetic reckoning with some of the social forces-imperialism, nationalism, anti-Semitism among them-that would soon convulse Europe as never before. But The Doll is above all a brilliant novel of character, dramatizing conflicting ideas through the various convictions, ambitions, confusions, and frustrations of an extensive and varied cast.
At the center of the book are three men from three different generations. Prus's fatally flawed hero is Wokulski, a successful businessman who yearns for recognition from Poland's decadent aristocracy and falls desperately in love with the highborn, glacially beautiful Izabela. Wokulski's story is intertwined with those of the incorrigibly romantic old clerk Rzecki, nostalgic for the revolutions of 1848, and of the bright young scientist Ochocki, who dreams of a future full of flying machines and other marvels, making for a book of great scope and richness that is, as Stanislaw Baranczak writes in his introduction, at once "an old-fashioned yet still fascinating love story . . . , a still topical diagnosis of society's ills, and a forceful yet subtle portrayal of a tragically doomed man.
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