Introduction: Montage as an Amplifier of Invisibility
Rane Willerslev and Christian Suhr
Part I: Montage as an Analytic
Chapter 1. Montage and Time: Deleuze, Cinema and a Buddhist Sorcery Rite
Bruce Kapferer
Chapter 2. Temporal Aesthetics: On Deleuzian Montage in Anthropology
Morten Nielsen
Chapter 3. All the Difference in the World: Liminality, Montage and the Re-Invention of Comparative Anthropology
Stuart McLean
Chapter 4. Into the Gloaming: A Montage of the Senses
Andrew Irving
Part II: Montage in Writing
Chapter 5. Being a Montage
Anne Line Dalsgaard
Chapter 6. Smith’s Tour Favela
Paul Antick
Chapter 7. Labour days: a non-linear narrative of development
Nina Vohnsen
Chapter 8. Mind the Gap
Karen Lisa Salamon
Part III: Montage in Film
Chapter 9. Women in Cities: Comparative Modernities and Cinematic Space in the 1930s
Catherine Russell
Chapter 10. Radioglaz and the Global City: Possibilities and Constraints of Experimental Montage
Julia T. S. Binter
Chapter 11. Filming in the Light of Memory
Alyssa Grossman
Chapter 12. Montage as analysis in ethnographic and documentary filmmaking: From hunting for plots towards weaving baskets of data
Jakob Kirstein Høgel
Chapter 13. In Defense of Observational Cinema: The Significance of the Bazinian Turn for Ethnographic Filmmaking
Anna Grimshaw
Part IV: Montage in Museum Exhibitions
Chapter 14. Assembling Potentials, Mounting Effects: Ethnographic Exhibitions Beyond Correspondence
Peter Bjerregaard
Chapter 15. Assembling Bodies: Cuts, Clusters and Juxtapositions
Rebecca Empson
Chapter 16. Project Villa Sovietica: Clashing Images, Expectations, and Receptions
Alexandra Schüssler and Willem Mes
Afterword: The Traffic in Montage, Then and Now
George E. Marcus