• Produktbild: The Contemporary Ensemble
  • Produktbild: The Contemporary Ensemble

The Contemporary Ensemble Interviews with Theatre-Makers

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

25.04.2013

Herausgeber

Duška Radosavljević + weitere

Verlag

Taylor & Francis

Seitenzahl

298

Maße (L/B/H)

21,6/14/1,6 cm

Gewicht

378 g

Sprache

Englisch

ISBN

978-0-415-53530-4

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

25.04.2013

Herausgeber

Verlag

Taylor & Francis

Seitenzahl

298

Maße (L/B/H)

21,6/14/1,6 cm

Gewicht

378 g

Sprache

Englisch

ISBN

978-0-415-53530-4

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  • Produktbild: The Contemporary Ensemble
  • Produktbild: The Contemporary Ensemble
  • PART I: Redefinitions of Ensemble

    1.1. MICHAEL BOYD (Royal Shakespeare Company): A 'Contingent Community' in a Free Market Economy

    1.2. GABOR TOMPA (Hungarian Theatre of Cluj): Between the East and the West Today

    1.3. HERMANN WÜNDRICH (The Berliner Ensemble): How the Berliner Ensemble Changes With Time

    1.4. YURI BUTUSOV (guest director Satirikon Theatre): Directing as an Art of Composition

    1.5. MAX STAFFORD-CLARK (Out of Joint): A Tried and Tested Ensemble Methodology

    1.6. ELIZABETH LECOMPTE (The Wooster Group): 'A Group of People Around a Place'

    1.7. LYN GARDNER (The Guardian Newspaper): On Regional Theatre-Making

    PART 2: Working Processes

    2.1. ANTON ADASSINSKY and ELENA YAROVAYA (Derevo): Beyond Words

    2.2. EMMA RICE (Kneehigh Theatre): From a Community to the West End

    2.3. JOANNA HOLDEN (freelance actor, Northern Stage, Kneehigh, Cirque du Soleil): On Being an Ensemble Actor in the UK

    2.4. IAN MORGAN (Song of the Goat): An Actor's Journey Between Wales and Wroclaw

    2.5. DAN ROTHENBERG (Pig Iron): 'Comic Figures Repurposed'

    2.6. ADRIANO SHAPLIN (The Riot Group): Ensemble as a Musical 'Intersubjective Unit'

    2.7. HANNA SLÄTTNE (Tinderbox Theatre): Working together in Northern Ireland

    2.8. ALEXANDER KELLY (Third Angel) and CHRIS THORPE (Unlimited Theatre): On Writing and Performance in an Ensemble

    PART III: Ensemble and the Audience

    3.1. MIKE ALFREDS (ex-Shared Experience, Method and Madness): Sharing the Experience of Imagination

    3.2. GREG ALLEN (The Neo-Futurists): An Interactive Ensemble

    3.3. PHELIM MCDERMOTT (Improbable): 'Safe Emergencies'

    3.4. PETER ECKERSALL (Not Yet It's Difficult): The Dramaturgy of Long-Term Cross-Cultural Collaboration

    3.5. KATARINA PEJOVIC and BORIS BAKAL (Shadow Casters): Ensemble as a Tool of Civic Engagement

    3.6. DAVID BAUWENS, ALEXANDER DEVRIENDT, JOERI SMET (Ontroerend Goed): On Courting the Audience

    3.7. RICHARD JORDAN (Richard Jordan Productions): Towards a Global Ensemble