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Produktbild: A Companion to Guillaume de Machaut

A Companion to Guillaume de Machaut

Aus der Reihe Brill

322,99 €

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

27.08.2012

Herausgeber

Deborah McGrady + weitere

Verlag

Koninklijke Brill Bv

Seitenzahl

436

Maße (L/B/H)

23,4/15,6/2,3 cm

Gewicht

608 g

Übersetzt von

Jeanette Patterson

Sprache

Englisch

ISBN

978-90-04-22581-7

Beschreibung

Portrait

Jennifer Bain, Ph.D. (2001) in Music Theory, Stony Brook University, is Chair of the Department of Music at Dalhousie University. She has published widely on medieval music, recently editing a special issue of the Journal of Music Theory.

Deborah McGrady, Ph.D. (1997) in French, University of California, Santa Barbara, is Chair of the Department of French at the University of Virginia. She is the author of Controlling Readers: Guillaume de Machaut and His Late Medieval Audience (Toronto, 2006).

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

27.08.2012

Herausgeber

Verlag

Koninklijke Brill Bv

Seitenzahl

436

Maße (L/B/H)

23,4/15,6/2,3 cm

Gewicht

608 g

Übersetzt von

Jeanette Patterson

Sprache

Englisch

ISBN

978-90-04-22581-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: A Companion to Guillaume de Machaut
  • Acknowledgements List of Contributors List of tables, figures and examples Introduction, Deborah McGrady and Jennifer Bain SECTION I: MACHAUT IN PERSPECTIVE 1. The Poetic I, Helen J. Swift 2. Guillaume de Machaut and the Forms of Pre-Humanism in Fourteenth-Century France, Anne-Helene Miller 3. Poet as Musician, Elizabeth Eva Leach SECTION II: SELECT WORKS IN DISCIPLINARY DIALOGUE 4. Ma fin est mon commencement :The Essence of Poetry and Song in Guillaume de Machaut, Jacqueline Cerquiglini-Toulet (Translated by Jeanette Patterson (Department of French and Italian, Princeton University) 5. "et mon commencement ma fin": Genre and Machaut's Musical Language in His Secular Songs, Jennifer Bain 6. Machaut and Debate Poetry, Emma Cayley 7. Moving across Media: Machaut's Lais and the Judgment Tradition, Benjamin Albritton SECTION III: CONTEXTUALIZING MACHAUT'S MUSIC 8. Machaut's Musical Heritage, Mark Everist 9. Self-Citation and Compositional Process in Guillaume de Machaut's Lyrics with and without Music: The Case of "Dame, se vous n'avez aperceu" (Rondeau 13), Yolanda Plumley 10. The Motets Read and Heard, Alice V. Clark 11. Declamation as Expression in Machaut's Music, Lawrence Earp SECTION IV: CONTEXTUALIZING MACHAUT'S LITERATURE 12. Guillaume de Machaut and the Classical Tradition: Individual Talent and (Un)Communal Tradition, R. Barton Palmer 13. 'Laissier le mal, le bien eslire': History, Allegory, and Ethical Reading in the Works of Guillaume de Machaut, Daisy Delogu 14. History's Fixers: Informants, Mediators, and Writers in the Prise d'Alixandre, Zrinka Stahuljak 15. Instrumental Comparisons: Machaut's Shorter Dits, Julie Singer SECTION V: TRADITION AND RECEPTION 16. Guillaume de Machaut's Lyric Poetry, Barbara K. Altmann 17. Performing Machaut's Messe de Notre Dame: from Modernist Allegiances to the Postmodern Hinterland, Kirsten Yri 18. Machaut and his Material Legacy, Deborah McGrady Bibliography Index