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  • Produktbild: Preserving and Exhibiting Media Art
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Preserving and Exhibiting Media Art Challenges and Perspectives

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

28.01.2013

Herausgeber

Julia Noordegraaf + weitere

Verlag

Routledge

Seitenzahl

430

Maße (L/B/H)

23,4/15,6/2,3 cm

Gewicht

649 g

Sprache

Englisch

ISBN

978-90-8964-291-2

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

28.01.2013

Herausgeber

Verlag

Routledge

Seitenzahl

430

Maße (L/B/H)

23,4/15,6/2,3 cm

Gewicht

649 g

Sprache

Englisch

ISBN

978-90-8964-291-2

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Preserving and Exhibiting Media Art
  • Produktbild: Preserving and Exhibiting Media Art

  • Introduction Part I History, Archaeology, Aesthetics, Archive: Theoretical Paths 1 Between Art History and Media History: A Brief Introduction to Media Art 2 Media Archaeology: Where Film History, Media Art, and New Media (Can) Meet 3 Media Aesthetics 4 Media Art and the Digital Archive Part II Analysis, Documentation, Archive 5 The Analysis of the Artwork 6 Methodologies of Multimedial Documentation and Archiving 6.1 Enjoying the Gap: Comparing Contemporary Documentation Strategies 6.2 Case Study: No Ghost Just a Shell by Pierre Huyghe, Philippe Parreno, and Many Others 6.3 The Artist's Interview as a Tool for Documenting and Recreating a Complex Installation: The Example of Mbube, an AudioInstallation by Roberto Cuoghi in the Museo Del Novecento, Milan 6.4 MAXXI Pilot Tests Regarding the Documentation of Installation Art Part III Technological Platforms, Preservation and Restoration 7 Technological Platforms 7.1 The History and Technological Characteristics of Cinematographic Production and Reception Devices 7.2 The History and Technological Characteristics of Video Production and Reception Devices 7.3 Computers and Digital Reception Devices: History and Technological Characteristics 7.4 Obsolete Equipment: Ethics and Practices of Media Art Conservation 8 Theories, Techniques, Decision-making Models: The European Context 8.1 Operational Practices for a Film and Video Preservation and Restoration Protocol 8.2 Operational Practices for a Digital Preservation and Restoration Protocol 8.3 Case Study: The Conservation of Media Art at Tate Part IV Access, Reuse and Exhibition, 9 Exhibition Strategies 9.1 From Cinema to the Museum: A State of Affairs 9.1.1 A "Cinema Effect" in Contemporary Art 9.2 Exhibiting Images in Movement 9.2.1 Exhibiting/Editing: Dominique Païni and Programming at the Cinémathèque française at the Turn of the Centenary 9.2.2 The Expanded Archive: The Mind Frames exhibition 9.2.3 Exhibiting Film and Reinventing the Painting 9.3 The Image Traveling across Territories: Cinema, Video, TV, Museum, the Web, and beyond 9.3.1 On Passages Between Art and Cinema 9.3.2 Across the Territories: Exhibiting Music Video 9.3.3 Developing, Presenting, and Documenting Unstable Media at V2_ 9.4 New Dispositifs, New Modes of Reception 9.4.1 Video Installations as Experiences in Montage 9.4.2 From the Film to the Map: Patrick Keiller and The City of the Future 9.4.3 Site-specific Exhibition and Reexhibition Strategies: Max Neuhaus's Times Square 9.4.4 From Archival Model to Exhibition Platform? Video Art As a Web 10 On Curating New Media Art Epilogue. List of contributors. Index.