Vor Ort
Merkzettel Warenkorb
Ottoman Empire and European Theatre Vol. I
Band 1

Ottoman Empire and European Theatre Vol. I The Age of Mozart and Selim III (1756-1808)

Aus der Reihe
Gebundenes Buch

Gebundenes Buch

82,50 €

Ottoman Empire and European Theatre Vol. I

Ebenfalls verfügbar als:

Gebundenes Buch

Gebundenes Buch

ab 82,50 €
eBook

eBook

ab 49,99 €

82,50 €

inkl. MwSt, Versandkostenfrei

Beschreibung

Details

Einband

Gebundene Ausgabe

Erscheinungsdatum

31.05.2013

Herausgeber

Michael Hüttler + weitere

Verlag

Hollitzer Wissenschaftsverlag

Seitenzahl

1036

Maße (L/B/H)

24,7/18,7/6,3 cm

Gewicht

1882 g

Sprache

Englisch

ISBN

978-3-99012-065-1

Beschreibung

Details

Einband

Gebundene Ausgabe

Erscheinungsdatum

31.05.2013

Herausgeber

Verlag

Hollitzer Wissenschaftsverlag

Seitenzahl

1036

Maße (L/B/H)

24,7/18,7/6,3 cm

Gewicht

1882 g

Sprache

Englisch

ISBN

978-3-99012-065-1

Herstelleradresse

HOLLITZER Wissenschaftsverlag der HOLLITZER Baustoffwerk Graz GmbH
Trautsongasse 6/Tür 6
1080 Wien
Österreich
Email: office@hollitzer.at
Url: www.hollitzer.at
Telephone: +43 1 23656054
Fax: +43 1 2365605430

Weitere Bände von Ottomania

Unsere Kundinnen und Kunden meinen

0.0

0 Bewertungen

Informationen zu Bewertungen

Zur Abgabe einer Bewertung ist eine Anmeldung im Konto notwendig. Die Authentizität der Bewertungen wird von uns nicht überprüft. Wir behalten uns vor, Bewertungstexte, die unseren Richtlinien widersprechen, entsprechend zu kürzen oder zu löschen.

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kund*innen durch Ihre Meinung

Erste Bewertung verfassen

Unsere Kundinnen und Kunden meinen

0.0

0 Bewertungen filtern
Die Leseprobe wird geladen.
  • Ottoman Empire and European Theatre Vol. I

  • Hans Ernst Weidinger (Vienna): Don Juan, Ottoman Empire and European Theatre: A Proem

    Ouverture

    Michael Hüttler (Vienna) and Hans Ernst Weidinger (Vienna/Florence): Editorial

    Michael Hüttler (Vienna): Orientalism on Stage: Historical Approaches and Scholarly Reception

    Opening Speeches – Symposium Vienna (April 25–26, 2008)

    Programme

    Helga Dostal (Vienna): UNESCO International Theatre Institute (ITI) – Austrian Centre

    H. Exc. SelIm Yenel (Vienna): Ambassador of the Turkish Republic in Austria

    H. Exc. Emil Brix (Vienna): Austrian Ministry of Foreign Affairs, Cultural Section

    Opening Speeches – Symposium Istanbul (June 5–6, 2008)

    Programme

    Christian Brunmayr: Austrian Cultural Forum Istanbul

    Cemal Öztas (Ankara): Grand National Assembly of Turkey

    H. Exc. Heidemaria Gürer (Ankara): Ambassadress of the Republic of Austria in Turkey

    Academic Bass

    Wolfgang Greisenegger (Vienna): University of Vienna

    Ilber Ortayli (Istanbul): Topkapi palace Museum Istanbul

    Metin And (Ankara): Turkish Academy of Sciences

    Dedication to the Genius of Opera

    Zeynep Oral (Istanbul): In Memoriam Leyla Gencer

    Prologue: The Stage of Politics Historical Overview

    Bertrand Michael Buchmann (Vienna): Austria's Relations with the Ottoman Empire in the Eighteenth Century

    Mehmet Alaaddin Yalçinkaya (Trabzon): The Ottoman Empire and Europe in the Wake of the Second Half of the Eigteenth Century

    Act I: Diplomacy and Theatre Earliest Performances

    Suna Suner (Istanbul/Vienna): The Earliest Opera Performances in the Ottoman World and the Role of Diplomacy: A Remapping from the Fifteenth to the Twentieth Century

    Walter Puchner (Athens): European Drama and Theatre in Seventeenth-Century Istanbul

    Ambassadors and Envoys

    B. Babür Turna (Ankara): The Watcher and the Watched: Eighteenth-Century Ottoman Diplomatic Visitors in Europe as Spectator and ‘Performer’

    Günsel Renda (Istanbul): The European Ambassadors at the Ottoman Court: The Imperial Protocol in the Eighteenth Century

    Frank Huss (Vienna): “Auf türkische Art prächtig aufgeputzt”: The Visit to Vienna by the Extraordinary Ottoman Envoy, Chaddi Mustafa Efendi, in the Year 1748

    Jannissaries and Mehter – Turkish Military Music

    William F. Parmentier II (Istanbul): The Mehter: Cultural Perceptions and Interpretations of Turkish Drum and Bugle Music Throughout History

    Act II: Europe South, West and North Milan, London and Vienna

    Alexandre Lhâa (Aix-en-Provence): Performing ‘Turkish Rulers’ on the Teatro alla Scala’s Stage: From the Late Eighteenth to the Mid Nineteenth Century

    Esin Akalin (Istanbul): The Ottoman Seraglio on European Stages

    Emre Araci (London): “Help for the Turk”: Investigating Ottoman Musical Representations in Britain from the Late Eighteenth to the Mid Nineteenth Century

    Copenhagen and Paris

    Bent Holm (Copenhagen): The Staging of the Turk: The Turk in the Danish Theatre of the Eighteenth Century

    Isabelle Moindrot (Paris): The ‘Turk’ and the ‘Parisienne’: From Favart’s Soliman second, ou Les trois sultanes (1761) to Les Trois Sultanes (Pathé, 1912)

    Act III: Central Europe From Paris to Vienna

    Thomas Betzwieser (Bayreuth): Ottoman Representation and Theatrical alla turca: Visiting an Unknown Viennese Source of ‘Turkish’ Incidental Music

    Michael Hüttler (Vienna): ‘Turks’ on the Late Eighteenth Century’s Viennese Stage: A Research Project Based on the Viennese Repertoire

    Matthias J. Pernerstorfer (Vienna): The Second Turkish Siege of Vienna (1683) Reflected in its First Centenary: ‘Anniversary Plays’ in the Pálffy Theatre Library, Vienna

    From Vienna to Lwiv

    Erich Duda (Vienna): Mozart’s Pupil and Friend: Franz Xaver Süssmayr’s Sinfonia Turchesca, Il Turco in Italia, and Soliman der Zweite

    Gabriele C. Pfeiffer (Vienna): Freemason, Mozart’s Contemporary, and Theatre Director on the Edge: Franz Kratter (1758–1830) and Der Friede am Pruth (1799). Cataloguing the Komplex Mauerbach, Vienna

    Act IV: Mozart Mozart and ‘Turkishness’

    Matthew Head (London): ‘In the Orient of Vienna’: Mozart’s ‘Turkish’ Music and the Theatrical Self

    Marianne Tråvén (Uppsala): Getting Emotional: Mozart’s ‘Turkish’ Operas and the Emotive Aspect of Slavery

    Serail Revisited

    Derek Weber (Vienna): From Zaide to Die Entführung aus dem Serail: Mozart’s ‘Turkish’ Operas

    Nadja Kayali (Vienna): Mozart’s ‘Orient’ on Stage

    The Elegant Voyager to The City of The Sublime Porte

    Annemarie Bönsch (Vienna): ‘Turkish’ and ‘Exotic’ References in the European Fashion of the Second Half of the Eighteenth Century

    Selin Ipek (Istanbul): European Influences on Eighteenth-Century Ottoman Imperial Fashion

    Käthe Springer-Dissmann (Vienna): Mozart Goes to Constantinople! The Real Conditions of a Fictitious Journey

    Act V: Sultan Selim III In the Ottoman Empire 1756–1808

    Tülay Artan (Istanbul): A Composite Universe: Arts and Society in Istanbul at the End of the Eighteenth Century

    Caroline Herfert (Vienna): ‘German Poet and Turkish Diplomat’: Murad Efendi, Ottoman Consul in Temeswar, and the Tragedy Selim der Dritte

    Sultan Selim III: A Man of Letters and Arts

    Günsel Renda (Istanbul): Selim III as Patron of the Arts

    Mustafa Fatih Salgar (Istanbul): Selim III as a Man of Letters and Art

    Aysin Candan (Istanbul): The Play World of Sultan Selim III

    Epilogue The Hero in the Sultan’s Harem

    Ulrike Schneider (Weimar): Between Enlightenment and Orient: Oberon by Christoph Martin Wieland

    Hans-Peter Kellner (Copenhagen): From The Prince of Denmark in the Sultan’s Harem to Don Juan in the Royal Danish Chambers: The Forgotten Composer Friedrich Ludwig Aemilius Kunzen (1761–1817)

    Appendix

    Picture Gallery

    Index

    Curricula Vita