• Produktbild: Oxford Handbook of Music Education, Volume 2
  • Produktbild: Oxford Handbook of Music Education, Volume 2

Oxford Handbook of Music Education, Volume 2

397,99 €

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.08.2012

Herausgeber

McPherson Gary + weitere

Verlag

Oxford University Press

Seitenzahl

768

Maße (L/B/H)

25/17,5/4,5 cm

Gewicht

1480 g

Sprache

Englisch

ISBN

978-0-19-992801-9

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.08.2012

Herausgeber

Verlag

Oxford University Press

Seitenzahl

768

Maße (L/B/H)

25/17,5/4,5 cm

Gewicht

1480 g

Sprache

Englisch

ISBN

978-0-19-992801-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Oxford Handbook of Music Education, Volume 2
  • Produktbild: Oxford Handbook of Music Education, Volume 2
    • Handbook Preface

    • Acknowledgments

    • External referees

    • Section 1: Special Abilities, Special Needs

    • Section Editor: Adam Ockelford

    • Chapter 1: Commentary: Special abilities, special needs

    • Adam Ockelford

    • Chapter 2: Mapping musical development in learners with the most complex needs: The Sounds of Intent project

    • Adam Ockelford and Graham Welch

    • Chapter 3: Exceptional musical abilities: Musical prodigies

    • Gary E. McPherson and Andreas C. Lehmann

    • Chapter 4: A fresh look at music therapy in Special Education

    • Katrina McFerran and Cochavit Elefant

    • Chapter 5: Inclusive music classrooms and programs

    • Judith A. Jellison

    • Chapter 6: Preparing for the future: Music students with Special Education needs in school and community life

    • Alice-Ann Darrow and Mary S. Adamek

    • Section 2: Music in the Community

    • Section Editor: David Elliott

    • Chapter 7: Commentary: Music in the community

    • David J. Elliott

    • Chapter 8: The community within community music

    • Lee Higgins

    • Chapter 9: Community music and social capital

    • Patrick M. Jones and Thomas W. Langston

    • Chapter 10: Community music therapy

    • Kenneth Aigen

    • Chapter 11: Community music and social justice: Reclaiming love

    • Marissa Silverman

    • Chapter 12: Sonic hospitality: Migration, community and music

    • Helen Phelan

    • Chapter 13: At-risk youth: Music-making as a means to promote positive relationships

    • Mary L. Cohen, Laya Silber , Andrea Sangiorgio and Valentina Iadeluca

    • Chapter 14: Fast forward: Emerging trends in community music

    • Kari K. Veblen and Janice L. Waldron

    • Section 3: Adult Learning Within A Lifespan Context

    • Section Editors: David E. Myers and Chelcy L. Bowles

    • Chapter 15: Commentary: Adult learning within a lifespan context

    • David E. Myers

    • Chapter 16: Elders and music: Empowering learning, valuing life experience, and considering the needs of aging adult learners

    • William M. Dabback and David S. Smith

    • Chapter 17: Adult music learning in formal, nonformal, and informal contexts

    • Kari K. Veblen

    • Chapter 18: Music teacher education: Crossing generational borders

    • Jody L. Kerchner and Carlos R. Abril

    • Chapter 19: The role of higher education in fostering musically engaged adults

    • Chelcy L. Bowles and Janet L. Jensen

    • Chapter 20: Lifelong learning for professional musicians

    • Rineke Smilde

    • Chapter 21: An international perspective on music education for adults

    • John Drummond

    • Section 4: Musical Creativity as Practice

    • Section Editor: Pam Burnard

    • Chapter 22: Commentary: Musical creativity as practice

    • Pamela Burnard

    • Chapter 23: Empathy and creativity in group musical practices: Towards a concept of empathic creativity

    • Ian Cross, Felicity Laurence, Tal-Chen Rabinowitch

    • Chapter 24: Intercultural tensions and creativity in music

    • Eva Saether with Alagi Mbye and Reza Shayesteh

    • Chapter 25: Communal creativity as socio-musical practice

    • Eleni Lapidaki, Rokus de Groot and Petros Stagkos

    • Chapter 26 Assessing creativity in music: International perspectives and practices

    • Samuel Leong, Pamela Burnard, Neryl Jeanneret, Bo Wah Leung, Carole Waugh

    • Chapter 27: Creativity in partnership practices

    • Bernadette D. Colley, Randi Margrethe Eidsaa, Ailbhe Kenny and Bo Wah Leung

    • Section 5: Music Learning and Teaching Through Technology

    • Section Editor: Evangelos Himonides

    • Chapter 28: Commentary: Music learning and teaching through technology

    • Evangelos Himonides

    • Chapter 29: The misunderstanding of music-technology-education: A meta perspective

    • Evangelos Himonides

    • Chapter 30: Technology and the educator

    • Ross Purves

    • Chapter 31: The student prince: Music-making with technology

    • Andrew King

    • Chapter 32: Driving forward technology's imprint on music education

    • Jonathan Savage

    • Section 6: Media, Music and Education

    • Section Editor: Matthew Thibeault

    • Chapter 33: Commentary: Media, music and education

    • Matthew D. Thibeault

    • Chapter 34: Music education in the postperformance world

    • Matthew D. Thibeault

    • Chapter 35: Let's Play! Learning music through video games and virtual worlds

    • Evan S. Tobias

    • Chapter 36: Collaborative digital media performance with generative music systems

    • Andrew R. Brown and Steven C. Dillon

    • Chapter 37: Music learning and new media in virtual and online environments

    • S. Alex Ruthmann and David G. Hebert

    • Section 7: Critical Reflections and Future Action

    • Section Editor: Gary McPherson and Graham Welch

    • Chapter 38: Commentary: Critical reflections and future action

    • Gary E. McPherson and Graham F. Welch

    • Chapter 39: Politics, policy and music education

    • Hal Abeles

    • Chapter 40: Instrumental teachers and their students: Who's in the driving seat?

    • Nick Beach

    • Chapter 41: University professors and the entrepreneurial spirit

    • Liora Bresler

    • Chapter 42: Pride and professionalism in music education

    • Richard Colwell

    • Chapter 43: Pondering the grand experiment in public music education

    • Robert A. Cutietta

    • Chapter 44: Music education and some of its sub-fields: Thoughts about future priorities

    • Lucy Green

    • Chapter 45: Music education - An unanswered question

    • Wilfried Gruhn

    • Chapter 46: Improving primary teaching - Minding the gap

    • Sarah Hennessy

    • Chapter 47: International music education: Setting up a global information system

    • Liane Hentschke

    • Chapter 48: The responsibility of research in defining the profession of music education

    • Christopher M. Johnson

    • Chapter 49: Constructing communities of scholarship in music education

    • Estelle R. Jorgensen

    • Chapter 50: Internationalising music education

    • Andreas C. Lehmann

    • Chapter 51: Emotion in music education

    • Richard Letts

    • Chapter 52: Music education from a slightly outside perspective

    • Håkan Lundström

    • Chapter 53: Research issues in personal music identification

    • Cliff Madsen

    • Chapter 54: Preparation, perseverance, and performance in music: Views from a program of educational psychology research

    • Andrew J. Martin

    • Chapter 55: Music therapy in schools: An expansion of traditional practice

    • Katrina McFerran

    • Chapter 56: Embracing new digital technologies - Now and into the future

    • Bradley Merrick

    • Chapter 57: Challenges for research and practices of music education

    • Bengt Olsson

    • Chapter 58: All theoried up and nowhere to go

    • Bennett Reimer

    • Chapter 59: Make research, not war: Methodologies and music education research

    • Wendy L. Sims

    • Chapter 60: The preparation of music teacher educators: A critical link

    • David J. Teachout

    • Chapter 61: Music and the arts: As ubiquitous and fundamental as the air we breathe

    • Rena Upitis

    • Chapter 62: There is nothing complex about a correlation coefficient

    • Peter R. Webster

    • Chapter 63: Dewey's bastards: Music, meaning, and politics

    • Paul Woodford