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Produktbild: Emotion-Oriented Systems

Emotion-Oriented Systems

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

12.12.2011

Verlag

John Wiley & Sons Inc

Seitenzahl

352

Maße (L/B/H)

23,6/16,3/2,4 cm

Gewicht

653 g

Auflage

1. Auflage

Sprache

Englisch

ISBN

978-1-84821-258-9

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

12.12.2011

Verlag

John Wiley & Sons Inc

Seitenzahl

352

Maße (L/B/H)

23,6/16,3/2,4 cm

Gewicht

653 g

Auflage

1. Auflage

Sprache

Englisch

ISBN

978-1-84821-258-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: Emotion-Oriented Systems
  • Preface xiii

    PART 1: FOUNDATIONS 1

    Chapter 1. Contemporary Theories and Concepts in thePsychology of Emotions 3
    Géraldine COPPIN and David SANDER

    1.1. Introduction 3

    1.2. Emergence of a scientific approach to emotions 4

    1.3. Basic emotions theories 7

    1.4. Bi-dimensional theories of emotion 11

    1.5. Appraisal theories of emotions 14

    1.6. Conclusion 19

    1.7. Glossary 20

    1.8. Bibliography 21

    Chapter 2. Emotion and the Brain 33
    Andy CHRISTEN and Didier GRANDJEAN

    2.1. Introduction 33

    2.2. The major role of affective neuroscience in understandingemotions 35

    2.3. The historical and conceptual legacy of early conceptionsof emotions and the brain 40

    2.4. Initial neuro-anatomical emotion theories 41

    2.5. Structures in the brain and their functions in emotionalprocesses 44

    2.6. The prefrontal cortex 53

    2.7. The anterior cingulate cortex 58

    2.8. The role of the insula in disgust 58

    2.9. Temporal dynamic of brain processes in emotional genesis59

    2.10. Functional connectivity 60

    2.11. Conclusion 63

    2.12. Bibliography 64

    PART 2: NON-VERBAL BEHAVIOR 77

    Chapter 3. Emotional Corpora: from Acquisition to Modeling79
    Laurence DEVILLERS and Jean-Claude MARTIN

    3.1. Introduction 79

    3.2. Building corpora: "acted","induced" and real-life emotions 81

    3.3. Current emotional corpora 86

    3.4. Coding schemes 86

    3.5. Complex emotions in spontaneous data 93

    3.6. Applications for corpora 97

    3.7. Conclusion 100

    3.8. Bibliography 101

    Chapter 4. Visual Emotion Recognition: Status and Key Issues107
    Alice CAPLIER

    4.1. Introduction 107

    4.2. What is a facial expression? 109

    4.3. Overview of facial expression recognition methods 112

    4.4. Spontaneous facial expressions 118

    4.5. Expression intensity 124

    4.6. Dynamic analysis 126

    4.7. Multimodality 128

    4.8. Conclusion 131

    4.9. Bibliography 132

    Chapter 5. Recognition of Acoustic Emotion 139
    Chloé CLAVEL and Gaël RICHARD

    5.1. Introduction 139

    5.2. Principles of automatic emotion-recognition systems 140

    5.3. Acoustic descriptors 141

    5.4. Automatic emotion classification 151

    5.5. Performance and assessment 157

    5.6. Conclusion 161

    5.7. Bibliography 163

    Chapter 6. Modeling Facial Expressions of Emotions169
    Sylwia Julia HYNIEWSKA, Rados³aw NIEWIADOMSKI and CatherinePELACHAUD

    6.1. Expressive conversational agents 169

    6.2. Expressions and their emotional states 170

    6.3. Computational models for facial expressions of emotions174

    6.4. Conclusion 183

    6.5. Acknowledgements 184

    6.6. Bibliography 184

    Chapter 7. Emotion Perception and Recognition 191
    Ioana VASILESCU

    7.1. Introduction 191

    7.2. Perception in vocal communication of emotion 193

    7.3. Experimental paradigms and emotion-oriented automaticsystems 194

    7.4. Conclusion 208

    7.5. Bibliography 209

    PART 3: FUNCTIONS 215

    Chapter 8. The Role of Emotions in Human MachineInteraction 217
    Valérie MAFFIOLO and Magalie OCHS

    8.1. Introduction 217

    8.2. Interactive information and assistance systems 219

    8.3. Video games 227

    8.4. Intelligent tutoring systems (ITS)235

    8.5. Discussion and research perspectives 237

    8.6. Bibliography 238

    Chapter 9. Music and Emotions 247
    Donald GLOWINSKI and Antonio CAMURRI

    9.1. The growing importance of music in society 247

    9.2. Recognizing emotions and structural characteristics inmusic 249

    9.3. Rules for modeling musical expression of emotions 251

    9.4. Towards a continuous measure of emotional reactions tomusic 252

    9.5. Multimodality in musical experience 253

    9.6. Multimodal emotional synthesis in a musical context 260

    9.7. The social active listening paradigm: the collective aspectof emotion 262

    9.8. Conclusion and perspectives 263

    9.9. Bibliography 263

    Chapter 10. Literary Feelings in Interactive Fiction271
    Marc CAVAZZA and David PIZZI

    10.1. Introduction: emotions and feelings 271

    10.2. Frenc