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Produktbild: Poetry of Translation

Poetry of Translation From Chaucer & Petrarch to Homer & Logue

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Beschreibung

A very wide-ranging book which launches a new theory of poetry translation and pursues it through readings of poem-translations from across the history of English literature. It engages with the key debates in translation studies, and offers new interpretations of major works such as Pope's Iliad, Pound's...

Beschreibung

A very wide-ranging book which launches a new theory of poetry translation and pursues it through readings of poem-translations from across the history of English literature. It engages with the key debates in translation studies, and offers new interpretations of major works such as Pope's Iliad, Pound's Cathay, and Dryden's Aeneis.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.09.2011

Verlag Oxford Academic
Seitenzahl

386

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.09.2011

Verlag Oxford Academic
Seitenzahl

386

Maße (L/B/H)

22,2/14,5/2,4 cm

Gewicht

616 g

Sprache

Englisch

ISBN

978-0-19-960571-2

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Poetry of Translation

    • I. Translation and Metaphor


    • 1: The Scope of Translation


    • 2: Translating Within and Between Languages


    • 3: Translation and Paraphrase


    • 4: Translating the Language of Literature


    • 5: Words for Translation


    • 6: Metaphors for Translation


    • 7: The Roots of Translatorly Metaphors


    • II. Translation as 'Interpretation,' as 'Paraphrase,' and as 'Opening'


    • 8: Are translations interpretations? Gadamer, Lowell and some contemporary poem-translations


    • 9: Interpretation and 'Opening:' Dryden, Chapman, and early translations from the Bible


    • 10: 'Paraphrase' from Erasmus to 'Venus T----d'


    • 11: Dryden, Behn and what is 'secretly in the poet'


    • 12: Dryden's Aeneis: 'a thousand secret beauties'


    • 13: Dryden's Dido: 'somewhat I find within'


    • III. Translation as 'Friendship,' as 'Desire,' and as 'Passion'


    • 14: Translating an Author: Denham, Katherine Philips, Dryden, Cowper


    • 15: The Author as Intimate: Roscommon, Philips, Pope, Francklin, Lucretius, Dryden, FitzGerald, Untermeyer


    • 16: Erotic Translation: Theocritus, Dryden, Ovid, Richard Duke, Tasso, Fairfax, Petrarch, Charlotte Smith, Sappho, Swinburne


    • 17: Love again: Sappho, Addison, Ambrose Philips, Dryden, Petrarch, Chaucer, Wyatt, Tasso, Fairfax, Ariosto, Harington, Byron


    • 18: Byron's Adulterous Fidelity


    • 19: Pope's Iliad: The Hurry of Passion


    • IV. Translation and the Landscape of the Past


    • 20: Pope's Iliad: a 'comprehensive View'


    • 21: Some perspectives after Pope: Keats, Tennyson, Browning, Pound, Michael Longley


    • 22: Epic Zoom: Christopher Logue's Homer (with Anne Carson's Stesichorus and Seamus Heaney's Beowulf)


    • V. Translation as 'Loss,' as 'Death,' as 'Resurrection,' and as 'Metamorphosis'


    • 23: Ezra Pound: 'My job was to bring a dead man to life'


    • 24: FitzGerald's Rubáiyát: 'a Thing must live'


    • 25: The Metamorphoses of Arthur Golding (which lead to some Conclusions)