Produktbild: The Return of Jazz

The Return of Jazz Joachim-Ernst Berendt and West German Cultural Change

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.02.2011

Abbildungen

mit 20 Abbildungen

Verlag

Berghahn Books

Seitenzahl

322

Maße (L/B/H)

22,9/15,2/1,7 cm

Gewicht

469 g

Sprache

Englisch

ISBN

978-0-85745-162-0

Beschreibung

Rezension

"The producer, writer and critic Berendt (1922-2000) remains a central, albeit for some a problematic, figure in the history of relatively recent German jazz and European jazz in general. Andrew Wright Hurley offers a welcome, closely researched study of a man who a decade after his untimely death continues to divide opinion among musicians, fellow producers and critics." · Jazz Journal

"...an eminently readable and thoughtful inquiry into the life and works of a man whose career in many ways parallels not just the West German jazz scene, but West German culture as a whole between 1950 and 1980. His work is thus both a valuable introduction to Berendt's thought as well as an important intervention into current scholarship about the role of global and American culture in the development and contestation of West German identity." · German Politics & Society

"In The Return of Jazz, Andrew Wright Hurley has admirably demonstrated Berendt's influence upon the emerging jazz scene of the early Federal Republic. Hurley shows how Cold War politics and rejection of the National Socialist past heightened Berendt's sense of mission. For Berendt, jazz was more than an avocation; it was a program for social and cultural reform. It is to Hurley's credit that he raises so many important issues surrounding jazz's development in the second half of the twentieth century." · H-German

"This is a benchmark study, in showing why a subject that has been overlooked in jazz historiography should not have been. Its importance lies not just in recognising the importance of a major mediator and 'enabler' of postwar jazz; it also models the late twentieth century shift of the jazz centre of gravity away from the US and towards international fusions. In its balancing of cultural theory with the most painstaking empirical research this is, quite simply, essential reading not just in jazz scholarship, but in the larger field of cultural history and its methodologies." · Bruce Johnson Cultural History, University of Turku

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.02.2011

Abbildungen

mit 20 Abbildungen

Verlag

Berghahn Books

Seitenzahl

322

Maße (L/B/H)

22,9/15,2/1,7 cm

Gewicht

469 g

Sprache

Englisch

ISBN

978-0-85745-162-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Return of Jazz
  • Illustrations
    Foreword
    Preface
    Acknowledgements
    Abbreviations

    Introduction

    PART I: JOACHIM-ERNST BERENDT AND THE POSTWAR LEGITIMATION OF JAZZ

    Chapter 1. Jazz and the divide between serious and entertainment music
    Chapter 2. Dance as escape?
    Chapter 3. Jazz greetings to and from the East?
    Chapter 4. Jazz, race, and colourblindness

    PART II: JAZZ MEETS THE (NEW) OLD WORLD: EUROPEANIZING JAZZ

    Chapter 5. The blues of German jazz
    Chapter 6. Emancipation and the dilemma of Volk-jazz
    Chapter 7. Globe Unity: Free jazz meets European New Music
    Chapter 8. Emancipation from the Jazz Pope
    Chapter 9. On the uses of European jazz

    PART III: JAZZ MEETS THE OTHER WORLD

    Chapter 10. The Marco Polo of jazz
    Chapter 11. The Goethe Institut's jazz ambassadors strike up
    Chapter 12. Japanesing jazz, or: kimono today, swing tomorrow
    Chapter 13. Doing the bossa in Berlin
    Chapter 14. The 1967 world-jazz encounters: An East-West jazz-divan?
    Chapter 15. Finding the Blut und Boden in African roots

    Conclusion: Berendt and the utopia of Weltmusik

    Chronology
    Discography
    Bibliography
    Index