Jacques Rancière
Aus der Reihe
Key Contemporary Thinkers
-
- Hardcover
- Taschenbuch ausgewählt
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Sprache:Englisch
30,99 €
inkl. gesetzl. MwSt.,
Beschreibung
Produktdetails
Verkaufsrang
21602
Einband
Taschenbuch
Erscheinungsdatum
11.10.2010
Verlag
John Wiley & Sons IncSeitenzahl
224
Maße (L/B/H)
22,7/15,3/2 cm
Gewicht
353 g
Auflage
1. Auflage
Sprache
Englisch
ISBN
978-0-7456-4655-8
This book is a critical introduction to contemporary French philosopher Jacques Rancière. It is the first introduction in any language to cover all of his major work and offers an accessible presentation and searching evaluation of his significant contributions to the fields of politics, pedagogy, history, literature, film theory and aesthetics.
This book traces the emergence of Rancière's thought over the last forty-five years and situates it in the diverse intellectual contexts in which it intervenes. Beginning with his egalitarian critique of his former teacher Louis Althusser, the book tracks the subsequent elaboration of Rancière's highly original conception of equality. This approach reveals that a grasp of his early archival and historiographical work is vital for a full understanding both of his later politics and his ongoing investigation of art and aesthetics.
Along the way, this book explains and analyses key terms in Rancière's very distinctive philosophical lexicon, including the 'police' order, 'disagreement', 'political subjectivation', 'literarity', the 'part which has no part', the 'regimes of art' and 'the distribution of the sensory'.
This book argues that Rancière's work sets a new standard in contestatory critique and concludes by reflecting on the philosophical and policy implications of his singular project.
This book traces the emergence of Rancière's thought over the last forty-five years and situates it in the diverse intellectual contexts in which it intervenes. Beginning with his egalitarian critique of his former teacher Louis Althusser, the book tracks the subsequent elaboration of Rancière's highly original conception of equality. This approach reveals that a grasp of his early archival and historiographical work is vital for a full understanding both of his later politics and his ongoing investigation of art and aesthetics.
Along the way, this book explains and analyses key terms in Rancière's very distinctive philosophical lexicon, including the 'police' order, 'disagreement', 'political subjectivation', 'literarity', the 'part which has no part', the 'regimes of art' and 'the distribution of the sensory'.
This book argues that Rancière's work sets a new standard in contestatory critique and concludes by reflecting on the philosophical and policy implications of his singular project.
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