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Produktbild: Contemporary Chinese Art

Contemporary Chinese Art Primary Documents

46,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.09.2010

Herausgeber

Wu Hung + weitere

Verlag

Museum of Modern Art (Moma)

Seitenzahl

464

Maße (L/B/H)

25/17/4,3 cm

Gewicht

1520 g

Sprache

Englisch

ISBN

978-0-8223-4943-3

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.09.2010

Herausgeber

Verlag

Museum of Modern Art (Moma)

Seitenzahl

464

Maße (L/B/H)

25/17/4,3 cm

Gewicht

1520 g

Sprache

Englisch

ISBN

978-0-8223-4943-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Contemporary Chinese Art

  • Part One: Contemporary Art as Domestic Movement, 1976–89
    I. The Beginning of Contemporary Art: 1979–84
    Introduction
    Unofficial Art Groups and Exhibitions
    Preface to the First Nature, Society, and Man Exhibition (Ziran, shehui, ren) (1979) / Wang Zhiping
    Preface to the First Stars Art Exhibition ( Xingxing meizhan) (1979) / Huang Rui
    A Letter to the People (1979) / Xu Wenli, Liu Qing, et al
    About the Stars Art Exhibition (1980) / Li Xianting
    A Debate on "Formal Beauty" and Other Issues
    Formalist Aesthetics in Painting (1979) / Wu Guanzhong
    Emotion Individuality, Formal Aesthetics (1979) / Liu Shaohui
    New Directions in Realist Painting
    Scar Art
    Some Thoughts on Creating the Picture-Story Book Maple ( Feng) (1980) / Chen Yiming, Liu Yulian, and Li Bin
    Man's Rational Meditation: A Brief Discussion of Cheng Conglin's Thematic Oil Paintings (1970s/1994) / Deng Pingxiang
    Native Soil Art
    A Letter from the Artist of Father ( Fuqin) (1981) / Lui Zhongli
    My Seven Paintings (1981) / Chen Danqing
    Melancholy Youth and "Contemplative Painting"
    Expecting Her to Walk on the Main Road (1981) / Wang Chuan
    "Contemplative Painting" in China and Andrew Wyeth (1985) / Ruan Xudong
    II. The Arrival of an Avant-Garde Movement: 1985–86
    Political and Intellectual Contexts
    Enlightenment of a New Era: On In the New Era ( Zai xinshidai) (1985) / Zhang Qun and Meng Luding
    Pioneers of Contemporary Chinese Art-A Critique of the Progressive Young Chinese Artists Exhibition (1985) / Zhao Jinghaun
    Beijing Theorists' Reaction to the Art of Robert Rauschenberg (1985) / Zhu Ye
    Foreword to Fine Arts in China (1985)
    Appendix. A Nationwide Forum and Model: Art Magazines and Symposia (2003) / Martina Koppel-Yang
    '85 Art New Wave
    General Discussions
    The '85 Art Movement (1986) / Gao Minglu
    The Significance is Not the Art (1986) / Li Jiatun
    A Summary of Evaluations of the '85 Arts Movement (1986) / Gao Minglu
    Appendix. The Landscape of China's Modern Art Movment (1991) / Tong Dian
    Writings by Members of Selected Art Groups
    We-Participants of the "'85 Art Movement" (1986) / Wang Guangyi
    An Explanation of the Northern Art Group (1987) / Shu Qun
    On New Space and the Pond Society (1987) / Shi Jiu
    New Figurative: Manifestation and Transcendence in Figurative Patterns of Life (1987) / Mao Xuhui
    Red Brigade Precept (1987) / Ding Fang
    Statement on Burning (1986) / Huang Yong Ping
    Introduction to The Events Exhibition that Took Place at the Exhibition Hall of the Fujian Art Museum (1986) / Huang Yong Ping
    Toward a Physical State of Contemporary Art Itself (1986) / Wang Du
    III. From Collectivity to Individual Creativity: 1987-89
    Rethinking the Movement
    Returning to Art Itself (1988) / Jia Fangzhou
    Rethinking Art
    Purifying Artistic Language
    A Few Thoughts (1988) / Zhu Zude and Liu Zhenggang
    Absurdity and Irrationality
    Non-Expressive Paintings (1986) / Huang Yong Ping
    Art as Process
    Looking for Something Different in a Quiet Place (1989) / Xu Bing
    Regarding "Analysis" (1989) / Chen Shaoping
    Challenging Modernism-An Interview with Wenda Gu (1986) / Fei Dawei
    Against the Public
    The Point of Departure for Art Project No. 2 (Yishu jihua di er hao) (1988/2007) / Zhang Peili
    The China/Avant-Garde Exhibition
    The Exhibition
    Background Material on the China/Avant-Garde Exhibition (1989) / Zhou Yan
    Confessions of a China/Avant-Garde Curator (1989) / Li Xianting
    A Brief Account of China/Avant-Garde (1989) / Hang Jian and Cao Xiao'ou
    The "End" of the New Wave
    Facing the End of the New Wave: An Interview with Fine Arts in China (1989) / Peng De
    The Modernist Dilemma and Our Options (1989) / Yi Ying
    Part Two: Globalization and a Domestic Turn, 1990–2000
    I. Intrinsic Perspectives
    Artistic Trends in the Early 1990s (1990–93)
    New Generation and Close Up Artists (1992) / Yin Jinan
    Apathy and Deconstruction in Post-'89 Art: Analyzing the Trends of "Cynical Realism" and "Political Pop" (1992) / Li Xianting
    Appendix. The Misread Great Criticism ( Da pipan) (2008) / Huang Zhuan
    Tendencies in Chinese Pop (1996) / Gu Chengfeng
    A Survey of Contemporary Chinese Performance Art (1999) / Gao Ling
    Major Trends in Contemporary Chinese Art of the Mid- to Late 1990s
    Identity and Experience
    Self
    A Personal Account of 65 Kg (1994/2000) / Zhang Huan
    Four Notes (1994) / Ma Liuming
    The Boundary of Freedom: A Personal Statement on Assignment No. 1 ( Zuoye yihao) (1994/2000) / Qiu Zhijie
    Report from the Artist's Studio (1996) / Interview with Zhang Xiaogang by Huang Zhuan
    Preface to It's Me! ( Shi wo!) (1998/2000) / Leng Lin
    Feminism and Women's Art
    Walking Out of the Abyss: My Feminist Critique (1994) / Xu Hong
    Toward a Female Initiative (1996/2003) / Tao Yongbai
    Wrapping and Severing (1997) / Lin Tianmiao
    Clothes Chest ( Yixiang) (1995) / Yin Xiuzhen
    Engagement with Social Transformation
    Gaudy Art
    Living in Kitsch-The Critical "Irony" of Gaudy Art (1999) / Liao Wen
    Urban Destruction and Construction
    "Changchun, China": A Report on a Performance of Making Rubbings from Buildings Slated for Demolition (1994) / Huang Yan
    "94 Action Plan for Debris Salvage Schemes for Implementation and Results (1994) / Zhan Wang
    New Map of Beijing: Today and Tomorrow's Capital-Rockery Remolding Plan (1995) / Zhan Wang
    One Hour Game ( Youxi yi Xiaoshi) (1996/1997) / Liang Juhui
    Report on Zhang Dali's Dialogue ( Duihua) (1998) / Jiang Tao
    A Dialogue on Dialogue (200) / Gou Hongbing with Zhang Dali
    Sociality in Contemporary Art
    State of Existence (1994) / Zhu Fadong
    12 Square Meters ( 12 pingfang mi) (1994) / Zhang Huan
    Ice '96 Central Plains ( Bing: 96 Zhongyuan) (1996/2000) / Wang Jin
    On Painted Sculptures (1995/1997) / Liu Jianhua
    Standard Family ( Biaozhun jiating) (1996/1997) / Wang Jinsong
    Why do I want to photograph the streets of Guangzhou? (2002) / Chen Shaoxiong
    Experimental Photography and Video Art
    Photography
    Trends and States of Photography's Development in Mainland China since 1976 (1994) / Li Mei and Yang Xiaoyan
    Appendix. Zero to Infinity: