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Produktbild: Artistic Bedfellows

Artistic Bedfellows Histories, Theories and Conversations in Collaborative Art Practices

89,99 €

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

17.09.2008

Herausgeber

Crawford Holly

Verlag

Ingram Publishers Services

Seitenzahl

356

Maße (L/B/H)

22,9/15,2/2,1 cm

Gewicht

526 g

Sprache

Englisch

ISBN

978-0-7618-4064-0

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

17.09.2008

Herausgeber

Crawford Holly

Verlag

Ingram Publishers Services

Seitenzahl

356

Maße (L/B/H)

22,9/15,2/2,1 cm

Gewicht

526 g

Sprache

Englisch

ISBN

978-0-7618-4064-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Artistic Bedfellows

  • Chapter 1 1. The Decoration of the Paris Panthéon by Paul Chenavard-A Particular Brotherhood
    Chapter 2 2. The Calling of Two Creatures: Depression-era Collaboration and a Theory of Camera and Pen
    Chapter 3 3. Creative Occupation: Collaborative Artistic Practices in Europe 1937-1943
    Chapter 4 4. Collaborative Practices in Environmental Art
    Chapter 5 5. Concepts of Collaborative Art in the Divided Germany of the 1960s
    Chapter 6 6. "Avant-femme" or Futuristic Frauen: Collaborative Art by Women in the German Democratic Republic
    Chapter 7 7. The Second Self
    Chapter 8 8. "Encompassing Unboundness": Desire and Collaborative Authorship in Carla Harryman and Lyn Hejinian's "The Wide Road"
    Chapter 9 9. An Easy Alliance: A Dialogue on Methodology
    Chapter 10 10. Learning from Robert Venturi and Denise Scott Brown
    Chapter 11 11. Languages of Innovation
    Chapter 12 12. Working Together
    Chapter 13 13. Ken Friedman: A Life in Fluxus
    Chapter 14 14. Temporary Bedfellows: Claes Oldenburg, Maurice Tuchman and Disney
    Chapter 15 15. The Ivory Towers Were Always Connected: Interdisciplinary Dia(b)logues as Challenge and Choice
    Chapter 16 16. Socially Engaged Art, Critics, and Discontents: Interview with Claire Bishop
    Chapter 17 17. "Detrimental to the Interests of the United States": Cuban Artists (Not) in Residence
    Chapter 18 18. Suzanne Lacy: Oakland Projects
    Chapter 19 19. Simonides in the Machine: The Art of Virtual Memory in a Pentagon-funded Initiative
    Chapter 20 20. Locating a Temporary Common Space: Cultural Exchanges in Weedpatch
    Chapter 21 21. "Sometimes I'm Harvey Weinstein; Sometimes I'm Wes Craven. The Same Goes For My Brother." The Neistat Brothers
    Chapter 22 22. Having Their Cake and Eating it Too: The Case of Christo's (and Jeanne-Claude's) Im(permanence) and Exclusivity
    Chapter 23 23. The Wu-wei of the 21st Century Art of Collaboration
    Chapter 24 24. What is Conversational Music or "Convers"?
    Chapter 25 25. Some Thoughts on Collaboration
    Chapter 26 26. The Electron Buddy System
    Chapter 27 27. I Always Appreciated Teamwork and Collaborations
    Chapter 28 28. The Dream of a Common Language: Thoughts on Collaboration and Protest
    Chapter 29 29. Observations on Collective Cultural Action
    Chapter 30 30. New Social Art School
    Chapter 31 31. Complicity
    Chapter 32 32. Transromantik
    Chapter 33 33. On Collaboration
    Chapter 34 34. "This Way Up": Concept and Progress
    Chapter 35 35. Online Collaboration in Genomic Art
    Chapter 36 36. A Robot and Its Double
    Chapter 37 37. Art.es and Collaborative Projects
    Chapter 38 38. My Collaborative Art
    Chapter 39 39. Collaboration between Tracey Snelling and Salvador Diaz, Chicago, March 2005
    Chapter 40 40. "i Woz" and Gina
    Chapter 41 41. "It seems simple, but it is not."