Adorno and Literature

Notes on Contributors
Acknowledgements
Abbreviations
Introduction, David Cunningham (University of Westminster, UK) and Nigel Mapp (University of Tampere, Finland)
Part I: Philosophy, Aesthetics and Literature
1. Literature, and the Modern System of the Arts: Sources of Criticism in Adorno, Stewart Martin (Middlesex University, UK)
2. Adorno's Critical Presence: Cultural Theory and Literary Value, Martin Ryle (University of Sussex, UK) and Kate Soper (London Metropolitan University, UK)
3. Interpretation and Truth: Adorno on Literature and Music, Andrew Bowie (Royal Holloway, UK)
4. Adorno and the Poetics of Genre, Eva Geulen (University of Bonn, Germany)
Part II: Poetry and Poetics
5. Lyric Poetry Before Auschwitz, Howard Caygill (Goldsmiths, UK)
6. The Truth in Verse? Adorno, Wordsworth, Prosody, Simon Jarvis (University of Cambridge, UK)
7. Lyric's Expression: Musicality, Conceptuality, Critical Agency, Robert Kaufman (Stanford University, USA)
8. Returning to the 'House of Oblivion': Celan Between Adorno and Heidegger, Iain Macdonald (University of Montreal, Canada)
Part III: Modernity, Drama and the Novel
9. Forgetting - Faust: Adorno and Kommerell, Paul Fleming (New York University, USA)
10. Adorno's Aesthetic Theory and Lukács's Theory of the Novel, Timothy Hall (University of East London, UK)
11. No Nature, No Nothing: Adorno, Beckett, Disenchantment, Nigel Mapp (University of Tampere, Finland)
12. Late Style in Naipaul: Adorno's Aesthetic and the Postcolonial Novel, Timothy Bewes (Brown University, USA)
13. After Adorno: The Narrator of the Contemporary European Novel, David Cunningham (University of Westminster, UK)
Index