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Produktbild: Save the Cat! Goes to the Movies

Save the Cat! Goes to the Movies The Screenwriter's Guide to Every Story Ever Told

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.10.2007

Abbildungen

Illustrations

Verlag

Pan macmillan Ltd.

Seitenzahl

300

Maße (L/B/H)

22,6/15,3/2,2 cm

Gewicht

442 g

Sprache

Englisch

ISBN

978-1-932907-35-3

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.10.2007

Abbildungen

Illustrations

Verlag

Pan macmillan Ltd.

Seitenzahl

300

Maße (L/B/H)

22,6/15,3/2,2 cm

Gewicht

442 g

Sprache

Englisch

ISBN

978-1-932907-35-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Save the Cat! Goes to the Movies

  • Save the Cat! Goes to the Movies

    TABLE OF CONTENTS
    Acknowledgements Foreword
    In which producer Sheila Hanahan Taylor (American Pie, Final Destination) confirms the success stories of the Save the Cat! method and tells how this may be the best Cat! yet.

    STC! 2: The Introduction
    Why a sequel? - "Genre" and "Structure" - Plus some Final Words that define terms used throughout the Cat! series.

    Chapter One: Monster in the House
    The definition of one of the most popular story types ever, plus breakdowns on Alien, Fatal Attraction, Scream, The Ring, and Saw.

    Chapter Two: Golden Fleece
    How Jason and the Argonauts begat The Bad News Bears (1976); Planes, Trains and Automobiles; Saving Private Ryan; Ocean's Eleven; and Maria Full of Grace.

    Chapter Three: Out of the Bottle
    Magical analyses of movies using magic: Freaky Friday (1976), Cocoon, The Nutty Professor, What Women Want, and Eternal Sunshine of the Spotless Mind.

    Chapter Four: Dude with a Problem
    The "dude" is an innocent and in big trouble in Three Days of the Condor, Die Hard, Sleeping with the Enemy, Deep Impact, and Open Water.

    Chapter Five: Rites of Passage
    Growth through pain in stories where "transition" is the obstacle: 10, Kramer vs. Kramer, Ordinary People, 28 Days, and Napoleon Dynamite.

    Chapter Six: Buddy Love
    The broad range of "love" stories include The Black Stallion, Lethal Weapon, When Harry Met Sally..., Titanic, and Brokeback Mountain.

    Chapter Seven: Whydunit
    The "detective" seeks the dark side and discovers "us" - as seen in All the President's Men, Blade Runner, Fargo, Mystic River, and Brick.

    Chapter Eight: Fool Triumphant
    This "fish out of water" tale stars an underdog we overlook in Being There, Tootsie, Forrest Gump, Legally Blonde, and The 40-Year-Old Virgin.

    Chapter Nine: Institutionalized
    Who matters most, the individual or the group? It's Man vs. "the herd" in M*A*S*H, Do the Right Thing, Office Space, Training Day, and Crash.

    Chapter Ten: Superhero
    Extraordinary man faces the ordinary world... and its Lilliputians in Raging Bull, The Lion King, The Matrix, Gladiator, and Spider-Man 2.

    277 afterword
    So what about Ghost? - How to best use this book to create any story you're working on and make it resonate!

    Glossary Redux
    Even More Terms from the 310 Area Code - An updated slangfest of Cat! phrases explained once and for all, including such new terminology as the "chase to the airport," the "button," the "Half Man," and the "eye of the storm."

    About the Author