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Produktbild: The Films of Fritz Lang

The Films of Fritz Lang Allegories of Vision and Modernity

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.02.2000

Abbildungen

illustrated

Verlag

Bloomsbury Academic

Seitenzahl

544

Maße (L/B/H)

23,6/15,4/3,2 cm

Gewicht

926 g

Sprache

Englisch

ISBN

978-0-85170-743-3

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.02.2000

Abbildungen

illustrated

Verlag

Bloomsbury Academic

Seitenzahl

544

Maße (L/B/H)

23,6/15,4/3,2 cm

Gewicht

926 g

Sprache

Englisch

ISBN

978-0-85170-743-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Films of Fritz Lang

  • Preface and Acknowledgments
    Introduction: Standing Outside the Films - Emblems
    The Inscribed/Imprinting Hand
    The Screening Room: 'Strange but True'
    The Interview and the Clock
    I. Reading the Text of Death - Lang's Silent Allegories: Der müde Tod (1921), Die Nibelungen (1924), Metropolis (1927)
    1. The Märchen: Der müde Tod - Death and the Maiden
    Who Tells the Timely Story of Death?
    The Allegory of the Maiden: Reading and Desire
    Final Figure: The Look at the Camera
    2. The Decay of Myth: Siegfried's Death, Kriemhild 's Revenge
    3. Metropolis: The Dance of Death
    The Allegory of the Machine
    The Universal Language of Silent Film
    Demons of Energy: Who Rules the City of Metropolis?
    Gothic Modernism: Technology as Modern Magic
    Oedipal Nightmares, Allegorical Riddles
    Apocalypse without End, Endings without Conviction
    Burn Witch Burn
    II: The Mastery of Crime - Lang's Urban Thrillers: Dr. Mabuse, the Gambler ( 1922), Spies ( 1928), The Testament of Dr. Mabuse (1932)
    4. Mabuse, Grand Enunciator: Control and Co-ordination
    The Sensation-film and the Spaces of Modernity
    The Terrain of Modernity: Space, Time and the Mastery of Communication
    The Mechanical Production of Counterfeit Identity
    The Grand Enunciator and the Power of the Gaze
    Playing with Time
    5. Haghi
    The Evil Genius/Mauvais génie
    The Staging of Desire
    Building Identity from Fragments
    Finale: Bringing Down the House
    6. The Testament of Dr. Mabuse
    A Message, Condemned to Death, Has Escaped
    'Pay No Attention to that Man behind the Curtain'
    The Same Old Song, but with a Different Meaning
    (Since You've Been Gone)
    III: Hinge - M (1931)
    7. M: The City Haunted by Demonic Desire
    'Oh Mother I Am Lost!' The Murder of Elsie Beckmann
    Formed in Fright: The Topography of Terror
    Der Schwarze Mann
    The People vs Hans Beckert
    IV: Fritz Lang's America - The Social Trilogy: Fury (1936), You Only Live Once (1937), You and Me (1938)
    8. You Ought to Be in Pictures: Liliom and Fury
    The Flight of the Refugee
    Meet John Doe: Lang Arrives in America
    A Whole Town of John Does: The Lynching of Joe Wilson
    'You Can Have the Strand in Your Own Town': Joe Wilson's Private Theatre
    9. You Only Live Once
    The Paradoxes of Vision
    Identities Assembled and Expunged in a Carceral Society
    The Re-educating of Joan Graham Taylor
    10. You and Me
    A 'Cinematic Hash': Experimental Cross-breeding among the Hollywood Genres
    You Can Not Get Something for Nothing
    V: Framing Desire: The Woman in the Window (1944), Scarlet Street (1945), The Secret Beyond the Door (1948), House by the River (1950)
    11. The Woman in the Window: Cycles of Desire
    Prelude to Nightmare: Shop Window Sweetheart
    The Paranoid World Made of Glass
    Eternal Return
    12. Scarlet Street: Life Is a Nightmare
    Mirror Images
    The Fourteen-Carat, Seventeen-Jewel Cashier
    The Artist's Signature and the Mourning Play of the Melancholy Baby
    No Perspective: The Cancelling Out of Chris Cross
    13. Secret Beyond the Door: Broken Frames and Piercing Gazes
    Pastiche and Palimpsest
    Speaking and Seeing: A Woman's View and Voice
    Unlocking Bluebeard's Seventh Room
    Architecture of Doom
    14. Coda: House by the River
    Effacing the Traces and Writing the Abject
    The Flow of the Writer's Hand
    VI: The 50s Exposés and Lang's Last Testament: The Blue Gardenia (1953), The Big Heat (1953), While the City Sleeps (1955), Beyond a Reasonable Doubt ( 1956), The Thousand Eyes of Dr. Mabuse (1960)
    15. The Blue Gardenia
    Contradictions of a Decade
    Off the Hook
    Booking Cinderella
    16. The Big Heat
    Circuits of Corruption
    The Construction of Authority
    Rogue Cop
    The Big Heat Falls Alike on the Just and the Unjust
    17. While the City Sleeps/Beyond a Reasonable Doubt
    The News is Made at Night
    Television, Person to Person
    Inside Out
    18. The Circle Closes on the Last Mabuse
    Return to the Scene of the Crime
    Recycled Vision, Feigned Blindness, Total Exposure
    The Slte of Remembering and Forgetting in Late Modernity
    The Death of Cinema, Cinema and Death
    Notes
    Bibliography
    Index