• Produktbild: Gothic Horror
  • Produktbild: Gothic Horror

Gothic Horror A Guide for Students and Readers

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

11.05.2007

Herausgeber

Clive Bloom

Verlag

Macmillan Education Elt

Seitenzahl

272

Maße (L/B/H)

21,6/14/1,8 cm

Gewicht

422 g

Auflage

2. Auflage

Sprache

Englisch

ISBN

978-0-230-00178-7

Beschreibung

Rezension

'...already deservedly a seminal work of Gothic scholarship.' - Susan Chaplin, BARS Bulletin

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

11.05.2007

Herausgeber

Clive Bloom

Verlag

Macmillan Education Elt

Seitenzahl

272

Maße (L/B/H)

21,6/14/1,8 cm

Gewicht

422 g

Auflage

2. Auflage

Sprache

Englisch

ISBN

978-0-230-00178-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Gothic Horror
  • Produktbild: Gothic Horror
  • Acknowledgements

    Chronology of Significant Landmarks in Horror and Gothic Fiction

    Preface to the Second Edition

    Introduction

    PART 1: GOTHIC WHISPERS

    Extract from Of the Sublime; E.Burke

    The Castle of Otranto, Preface to 1764 edition; H.Walpole

    The Castle of Otranto, Preface to second edition; H.Walpole

    Advertisement to The Monk; M.Lewis

    Extract from On 'The Monk'; S.T.Coleridge

    Extract from The Italian; A.Radcliffe

    Extract from Discourse 1: 'Gothick'; J.Reynolds

    Frankenstein, Preface to 1817 edition; M.Shelley

    Frankenstein, Preface to 1831 edition; M.Shelley

    Remarks on Frankenstein: or the Modern Prometheus; W.Scott

    Extract from Northanger Abbey; J.Austen

    Extract from Nightmare Abbey; T.L.Peacock

    Melmoth, the Wanderer, Preface to 1820 edition; C.Maturin

    On the Supernatural in Poetry; A.Radcliffe

    PART 2: HORROR THE SOUL OF THE PLOT

    Extract from The Man of the Crowd; E.A.Poe

    Extract from The Imp of the Perverse; E.A.Poe

    The Philosophy of Composition; E.A.Poe

    Extract from Eureka; E.A.Poe

    Extract from Marginalia; E.A.Poe

    Preface to The House of the Seven Gables; N.Hawthorne

    Extract from The Renaissance; W.Pater

    Extract from Nightmare Touch; L.Hearn

    An Autobiographical Postscript; E.Wharton

    PART 3: IN THE DARK

    Extract from The Uncanny; S.Freud

    On Algernon Blackwood; H.Belloc

    Preface to The Collected Ghost Stories; M.R.James

    Extract from The Supernatural in Literature; H.P.Lovecraft

    Extract from The Vampire in Literature; M.Summers

    I like Playing Dracula; B.Lugosi

    Author's Note from The Devil Rides Out; D.Wheatley

    Gothic Hangover; E.S.Turner

    PART 4: FEARMAKERS

    On Horror Writers; R.Bloch

    Dracula, Frankenstine, Sons and Co.; K.Amis

    Symposium on H P Lovecraft; Los Angeles Science Fiction Society

    Extract from Interview for Playboy; S.King

    Extract from An Evening at Billericay Public Library; S.King

    On Stephen King; W.Strieber

    On Horror and Subversion; C.Barker

    PART 5: CONTEMPORARY SHIVERS

    Terrorism and the Gothic; D.Punter

    Extract from The Fantastic; T.Todorov

    Monster Culture (Seven Theses); J.J.Cohen

    Extract from Freakery; R.G.Thomson

    The Body of Frankenstein's Monster; C.Helman

    Narrative Structure, Liminality, Self Similarity: The Case of Gothic Fiction; M.Aguirre

    Horror Narratives; L.Talairach-Vielmas

    African American and Afro Caribbean Women's Horror as Contemporary Cultural Critique; G.Wisker

    All Dark Inside: Zombies and Detectives; C.Bloom

    Epilogue: Further Thoughts on the Gothic

    Further Reading

    Index