Alive to Love and Strive Berlin without compromise
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Sprache:Englisch
4,99 €
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB
Kopierschutz
Nein
Family Sharing
Ja
Text-to-Speech
Ja
Erscheinungsdatum
01.10.2014
Verlag
PeriplanetaSeitenzahl
120 (Printausgabe)
Dateigröße
839 KB
Übersetzt von
Claire Förster
Sprache
Englisch
EAN
9783943876482
Clint Lukas' relentless hero works hard, although he despises work; he produces movies, even though he hates movie people; he fancies himself a ,ladies' man', but constantly gets into fights with them.
Why does everything always have to be so complicated?
He's not the one to blame.
At least, that's what he thinks.
The Berlin author, stage poet and movie director presents a marvelous collection of brutally honest, headstrong and self-deprecating short stories, stories of himself as a byronic hero, a dawdling globetrotter, a sarcastic observer, always far from normal or ordinary. Defiant, furious, sarcastic, vivid and entertaining close to the pain threshold.
WORK OF MOUTH is a showcase of popular Berlin stage literature, based on the MundWerk edition by Periplaneta publishing. The works are brief, concise, sometimes simply hilarious, sometimes quite painful, daring more often than not, and, as a rule, off-beat. They are written by authors with experience on stage, in capturing an audience, and in weekly deliveries of the best text they can provide.
Why does everything always have to be so complicated?
He's not the one to blame.
At least, that's what he thinks.
The Berlin author, stage poet and movie director presents a marvelous collection of brutally honest, headstrong and self-deprecating short stories, stories of himself as a byronic hero, a dawdling globetrotter, a sarcastic observer, always far from normal or ordinary. Defiant, furious, sarcastic, vivid and entertaining close to the pain threshold.
WORK OF MOUTH is a showcase of popular Berlin stage literature, based on the MundWerk edition by Periplaneta publishing. The works are brief, concise, sometimes simply hilarious, sometimes quite painful, daring more often than not, and, as a rule, off-beat. They are written by authors with experience on stage, in capturing an audience, and in weekly deliveries of the best text they can provide.
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