Meine Filiale

Ottoman Empire and European Theatre Vol. I

The Age of Mozart and Selim III (1756-1808)

Ottomania Band 1

Buch (gebundene Ausgabe, Englisch)
Buch (gebundene Ausgabe, Englisch)
82,50
82,50
inkl. gesetzl. MwSt.
inkl. gesetzl. MwSt.
Sofort lieferbar Versandkostenfrei
Sofort lieferbar
Versandkostenfrei

Weitere Formate

gebundene Ausgabe

€ 82,50

Accordion öffnen

eBook

ab € 49,99

Accordion öffnen

Beschreibung


The first volume of the book series Ottoman Empire and European Theatre focuses on the period between 1756 and 1808, the era of W. A. Mozart (1756–1791) and Sultan Selim III (1761–1808).These historical personalities, whose life-spans overlap, were towering figures of their time: Mozart as an extraordinary composer and Selim III as both a politician and a composer.

Inspired by the structure of opera, the forty-four contributions of Volume I are arranged in eight sections, entitled Ouverture, Prologue, Acts I–V and Epilogue. The Ouverture includes the opening speeches of diplomats, politicians, and scholars as well as a memorial text for the “Genius of Opera”, Turkish prima donna Leyla Gencer (1928–2008). The Prologue, “The Stage of Politics”, features texts by distinguished historians who give an historical overview of the Ottoman Empire and Europe in the late eighteenth century, from both Turkish and Austrian points of view. Act I features texts concerning “Diplomacy and Theatre”, and Act II takes the reader to “Europe South, West and North”. Act III has contributions concerning theatre in “Central Europe”, while Act IV deals with “Mozart” and the world of the seraglio. Act V turns our attention to the Ottoman “Sultan Selim III”, and the Epilogue considers literary and theatrical adventures of “The Hero in the Sultan’s Harem”.

Produktdetails

Einband gebundene Ausgabe
Herausgeber Michael Hüttler, Hans Ernst Weidinger
Seitenzahl 1020
Erscheinungsdatum 31.05.2013
Sprache Englisch
ISBN 978-3-99012-065-1
Verlag Hollitzer Wissenschaftsverlag
Maße (L/B/H) 24,7/18,7/6,3 cm
Gewicht 1882 g

Weitere Bände von Ottomania

Kundenbewertungen

Es wurden noch keine Bewertungen geschrieben.
  • Artikelbild-0

  • Hans Ernst Weidinger (Vienna): Don Juan, Ottoman Empire and European Theatre: A Proem


    Ouverture

    Michael Hüttler (Vienna) and Hans Ernst Weidinger (Vienna/Florence): Editorial

    Michael Hüttler (Vienna): Orientalism on Stage: Historical Approaches and Scholarly Reception


    Opening Speeches – Symposium Vienna (April 25–26, 2008)

    Programme

    Helga Dostal (Vienna): UNESCO International Theatre Institute (ITI) – Austrian Centre

    H. Exc. SelIm Yenel (Vienna): Ambassador of the Turkish Republic in Austria

    H. Exc. Emil Brix (Vienna): Austrian Ministry of Foreign Affairs, Cultural Section


    Opening Speeches – Symposium Istanbul (June 5–6, 2008)

    Programme

    Christian Brunmayr: Austrian Cultural Forum Istanbul

    Cemal Öztas (Ankara): Grand National Assembly of Turkey

    H. Exc. Heidemaria Gürer (Ankara): Ambassadress of the Republic of Austria in Turkey


    Academic Bass

    Wolfgang Greisenegger (Vienna): University of Vienna

    Ilber Ortayli (Istanbul): Topkapi palace Museum Istanbul

    Metin And (Ankara): Turkish Academy of Sciences


    Dedication to the Genius of Opera

    Zeynep Oral (Istanbul): In Memoriam Leyla Gencer


    Prologue: The Stage of Politics
    Historical Overview

    Bertrand Michael Buchmann (Vienna): Austria's Relations with the Ottoman Empire in the Eighteenth Century

    Mehmet Alaaddin Yalçinkaya (Trabzon): The Ottoman Empire and Europe in the Wake of the Second Half of the Eigteenth Century


    Act I: Diplomacy and Theatre
    Earliest Performances

    Suna Suner (Istanbul/Vienna): The Earliest Opera Performances in the Ottoman World and the Role of Diplomacy: A Remapping from the Fifteenth to the Twentieth Century

    Walter Puchner (Athens): European Drama and Theatre in Seventeenth-Century Istanbul


    Ambassadors and Envoys

    B. Babür Turna (Ankara): The Watcher and the Watched: Eighteenth-Century Ottoman Diplomatic Visitors in Europe as Spectator and ‘Performer’

    Günsel Renda (Istanbul): The European Ambassadors at the Ottoman Court: The Imperial Protocol in the Eighteenth Century

    Frank Huss (Vienna): “Auf türkische Art prächtig aufgeputzt”: The Visit to Vienna by the Extraordinary Ottoman Envoy, Chaddi Mustafa Efendi, in the Year 1748


    Jannissaries and Mehter – Turkish Military Music

    William F. Parmentier II (Istanbul): The Mehter: Cultural Perceptions and Interpretations of Turkish Drum and Bugle Music Throughout History


    Act II: Europe South, West and North
    Milan, London and Vienna

    Alexandre Lhâa (Aix-en-Provence): Performing ‘Turkish Rulers’ on the Teatro alla Scala’s Stage: From the Late Eighteenth to the Mid Nineteenth Century

    Esin Akalin (Istanbul): The Ottoman Seraglio on European Stages

    Emre Araci (London): “Help for the Turk”: Investigating Ottoman Musical Representations in Britain from the Late Eighteenth to the Mid Nineteenth Century


    Copenhagen and Paris

    Bent Holm (Copenhagen): The Staging of the Turk: The Turk in the Danish Theatre of the Eighteenth Century

    Isabelle Moindrot (Paris): The ‘Turk’ and the ‘Parisienne’: From Favart’s Soliman second, ou Les trois sultanes (1761) to Les Trois Sultanes (Pathé, 1912)


    Act III: Central Europe
    From Paris to Vienna

    Thomas Betzwieser (Bayreuth): Ottoman Representation and Theatrical alla turca: Visiting an Unknown Viennese Source of ‘Turkish’ Incidental Music

    Michael Hüttler (Vienna): ‘Turks’ on the Late Eighteenth Century’s Viennese Stage: A Research Project Based on the Viennese Repertoire

    Matthias J. Pernerstorfer (Vienna): The Second Turkish Siege of Vienna (1683) Reflected in its First Centenary: ‘Anniversary Plays’ in the Pálffy Theatre Library, Vienna


    From Vienna to Lwiv

    Erich Duda (Vienna): Mozart’s Pupil and Friend: Franz Xaver Süssmayr’s Sinfonia Turchesca, Il Turco in Italia, and Soliman der Zweite

    Gabriele C. Pfeiffer (Vienna): Freemason, Mozart’s Contemporary, and Theatre Director on the Edge: Franz Kratter (1758–1830) and Der Friede am Pruth (1799). Cataloguing the Komplex Mauerbach, Vienna


    Act IV: Mozart
    Mozart and ‘Turkishness’

    Matthew Head (London): ‘In the Orient of Vienna’: Mozart’s ‘Turkish’ Music and the Theatrical Self

    Marianne Tråvén (Uppsala): Getting Emotional: Mozart’s ‘Turkish’ Operas and the Emotive Aspect of Slavery


    Serail Revisited

    Derek Weber (Vienna): From Zaide to Die Entführung aus dem Serail: Mozart’s ‘Turkish’ Operas

    Nadja Kayali (Vienna): Mozart’s ‘Orient’ on Stage


    The Elegant Voyager to The City of The Sublime Porte

    Annemarie Bönsch (Vienna): ‘Turkish’ and ‘Exotic’ References in the European Fashion of the Second Half of the Eighteenth Century

    Selin Ipek (Istanbul): European Influences on Eighteenth-Century Ottoman Imperial Fashion

    Käthe Springer-Dissmann (Vienna): Mozart Goes to Constantinople! The Real Conditions of a Fictitious Journey


    Act V: Sultan Selim III
    In the Ottoman Empire 1756–1808

    Tülay Artan (Istanbul): A Composite Universe: Arts and Society in Istanbul at the End of the Eighteenth Century

    Caroline Herfert (Vienna): ‘German Poet and Turkish Diplomat’: Murad Efendi, Ottoman Consul in Temeswar, and the Tragedy Selim der Dritte


    Sultan Selim III: A Man of Letters and Arts

    Günsel Renda (Istanbul): Selim III as Patron of the Arts

    Mustafa Fatih Salgar (Istanbul): Selim III as a Man of Letters and Art

    Aysin Candan (Istanbul): The Play World of Sultan Selim III


    Epilogue
    The Hero in the Sultan’s Harem

    Ulrike Schneider (Weimar): Between Enlightenment and Orient: Oberon by Christoph Martin Wieland

    Hans-Peter Kellner (Copenhagen): From The Prince of Denmark in the Sultan’s Harem to Don Juan in the Royal Danish Chambers: The Forgotten Composer Friedrich Ludwig Aemilius Kunzen (1761–1817)


    Appendix

    Picture Gallery

    Index

    Curricula Vita