Introduction - Penny Sparke, Fiona Fisher, Ersi Ioannidou, Pat Kirkham, Patricia Lara-Betancourt, Jana Scholze
Section 1: Exhibitions and the Private/Public Divide
1. Museum Exhibitions and the Interior: Labour, Emotion and Hierarchy 'Behind the Scenes' - Claire Wintle (University of Brighton)
2. Negotiating the White Cube: Textile Interiors - Trine Friis Sørensen (Aarhus University)
3. Exhibitions as Laboratories and Office Workstations in the 1990s - Lia Carreira (University of Southampton)
4. Model Apartments and a New Culture of Living in Socialist Yugoslavia - Cvetka Pozar and Maja Vardjan (co-curators at MAO)
5. Tangible Advice - A Home Show in the Periphery of Danish Design in 1953 - Hans-Christian Jensen (University of Southern Denmark)
Section 2: Exhibitions as Ambiguous Interiors
6. The Exhibition is a Banana: How Imaginary Interiors Change the World - Sam Jacob (University of Illinois Chicago)
7. Exhibitions, Interiors, Exteriors: Ambiguous Continuities in the Work of Artists International Association, 1933-1943 - Harriet Atkinson (University of Brighton)
8. The Society of Interior Designers of Australia (SIDA): Exhibitions, Room Settings, Fantasy and Spectacle, 1962-1971 - Catriona Quinn (University of New South Wales)
9. The Hotel Room as Art Fair Booth, as Interior, as Exhibition - Stephanie Dieckvoss (Kingston University)
10. Exhibitions as Temporary Homes: Living in The Public Gallery as Artistic Practice - Katerina Stroblová
(University of Ostrava)
11. Inhabiting the Exhibition Space: Designing Encounters in the Museum - Tulga Beyerle, Nina Lucia Groß & Tilman Walther (co-curators at Museum für Kunst und Gewerbe Hamburg)
Section 3: Exhibitions as Spaces of Enactment
12. Beyond the Period Room: Reframing the Interior as a Space for Diasporic Narratives - Stefan Krämer (Ruhr-Universität Bochum)
13. Inhabiting the Exhibition: On Architecture, Collecting, and the Everyday - Alejandro Campos Uribe (Delft University of Technology)
14. The Communal Interior: Furmany Lane Artist Squat as a Crux of Collective Art - Senem Yildirim (New York University)
15. The Domestic Interior as Exhibition Installation: Jan Hoet's 'Chambres d'Amis' - Karen Shelby (City University of New York)
16. Between 'Ideal Home' and Modern Art Gallery: Revisiting an Exhibition Interior by the Omega Workshops - Ben Angwin (Kingston University)
Index
