4 3 2 1 (4321)


On March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson´s life will take four simultaneous and independent fictional paths. Four Fergusons made of the same genetic material, four boys who are the same boy, will go on to lead four parallel and entirely different lives. Family fortunes diverge. Loves and friendships and intellectual passions contrast. Chapter by chapter, the rotating narratives evolve into an elaborate dance of inner worlds enfolded within the outer forces of history as, one by one, the intimate plot of each Ferguson´s story rushes on across the tumultuous and fractured terrain of mid twentieth-century America. A boy grows up-again and again and again.

As inventive and dexterously constructed as anything Paul Auster has ever written 4 3 2 1 is an unforgettable tour de force, the crowning work of this masterful writer´s extraordinary career.

"Auster truly is a master of his art." (Harper's Bazaar)
"'One of the great writers of our time' (San Francisco Chronicle)
Paul Auster, 1947 als Nachkomme eingewanderter österreichischer Juden in Newark, New Jersey geboren, studierte Anglistik und vergleichende Literaturwissenschaft an der Columbia University New York (B.A. und M.A.) und fuhr danach als Matrose auf einem Öltanker zur See. 1971 - 74 lebte er in Frankreich, hauptsächlich in Paris. Nach seiner Rückkehr in die USA nahm er einen Lehrauftrag an der Columbia University an und arbeitete zusätzlich als Übersetzer französischer Autoren (Blanchot, Bouchet, Dupin, Joubert, Mallarmé, Sartre) sowie als Herausgeber französischer Literatur in amerikanischen Verlagen. Paul Auster lebt in Brooklyn, New York, ist mit der Schriftstellerin Siri Hustvedt verheiratet und hat zwei Kinder. Er erhielt Stipendien der National Endowment for the Arts (1977 für Lyrik, 1983 für Prosa), den France Culture Prix Etranger (1988) und den Morton Dauwen Zabel Award (1990). 2006 erhielt er den Prinz-von-Asturien-Preis in der Sparte Literatur.
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Einband gebundene Ausgabe
Seitenzahl 880
Erscheinungsdatum 31.01.2017
Sprache Englisch
ISBN 978-0-571-32462-0
Verlag Faber & Faber
Maße (L/B/H) 241/164/66 mm
Gewicht 1259
Verkaufsrang 10
Buch (gebundene Ausgabe, Englisch)
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4 3 2 1
von miss.mesmerized am 08.02.2017

“What if… “ – this is the question Auster plays with in his latest and longest novel. One life, the one of Archibald Isaac Ferguson, born on March 3, 1947 in Newark, New Jersey, son of Rose and Stanley Ferguson, is confronted with four different variations, each triggered by... “What if… “ – this is the question Auster plays with in his latest and longest novel. One life, the one of Archibald Isaac Ferguson, born on March 3, 1947 in Newark, New Jersey, son of Rose and Stanley Ferguson, is confronted with four different variations, each triggered by only slightly different decisions or single events. Thus, four times, Archie’s life and chances in life develop in another way. One time, he loses his father as a young boy; one time, the family becomes rich; one time, Archie makes a wrong decision and has to pay with his life at a young age. It is always the same boy coming from the same family, provided with the same talents and liking for the same girl, but by coincidence, things change and his life takes another road. Due to its structure, Paul Auster’s novel is quite challenging to read. It is not only the 900 pages which demand some endurance from the reader, but the plot requires a lot of attention and concentration while reading. In seven chapters, we always get four variations of Archie’s life. I sometimes had struggles remembering which Archie we were talking about, the character itself did not vary that much, but the circumstances in which he was growing up differed a lot. At times, I was tempted to read the development of only one Archie from begging to end and then continue with Archie2. Thus, from a literary point of view, this novel is great work, especially since you can see the parallels between the four stories and the development of Archie’s identity which, in its core, remains the same but changes slightly according to the events in his life. It is interesting to observe within oneself as the reader that one likes one or the other version of Archie better, I definitely preferred Archie1 with his political interest already in young years, although I also had a liking for the Archie who was fond of French films of the 1950s and 60s. It did not really surprise me that time and again, Auster (or rather: the narrator) refers to the possibly of different outcomes, the possibly of having another life, the feeling of having several souls within one body. Once, Archie states: One of the add things about being himself, Ferguson had discovered, was that there seemed to be several of him, that he wasn’t just one person but a collection of contradictory selves, and each time he was with a different person, he himself was different as well. This self-reference or mise-en-abîme outline that there is not one story to be told, that we, in the end, do not know this is the original Auster had in mind, whose story he wanted to tell – and, transferred to real life, the is not the one way your life has to go and the one person you necessarily have to turn into. Apart from the complex study of Archie’s character, the novel also whooshes through the American history, from the European dreamers arriving at the beginning the 20th century hoping for a better life in the new word, over the prospering 50s, presidents Kennedy, Nixon etc. and culminating in the Vietnam war and the fear of Archie and his friends of being selected by the national lottery. As in other novels by Auster, we also find is masterly capacity of telling the story. I am always impressed by his language, the perfect way of putting the action into words which makes him, in my opinion, one of the greatest authors of our time.

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